I've got a dozen books out now. In the writing, and the reading of various people's opinions, I've come to some odd conclusions. One is that whether the fictional character is one or two or three dimensional depends almost entirely on whether the reader wants that particular character to be one or two or three dimensional, which, in turn, often depends on whether the reader hates that particular writer or not. (I'm _much_ hated in some circles. Much.) I think it was Lois Bujold who observed that the actual story is a conspiracy between the writer and the reader, such that to every reader the story is different. I.e. "I don't know about the story you and X wrote together in your head, but the story X and I wrote together in my head, by the very same title, coincidentally, was great."
I've also come to the conclusion that male readers typically prefer character to be revealed mostly by action while female readers prefer it be revealed mostly by innermost thoughts.
I've come to the conclusion that literary fiction is - or, at least, has become - pretentious, meaningless, useless junk, substituting mere style for substance. I despise it.
Were I bad mannered enough to pass that on to David, I'm pretty sure his answer would be along the lines of, "John, please tell Tom to tell DK to pound sand until he learns to appreciate [whatever it may be David thinks you should appreciate)." Now me, personally, I'd boot Honor Harrington out an air lock (ask mpethy if I'm kidding) for the special favors she's given because of her connections. I hate the bitch. That doesn't mean, however, that she's not well written or - and this is surprisingly important - that David can't make a bundle off her.
Quote:
Originally Posted by DeuceKicker
Moved to Vegas? By the sounds of it, he'd be surprised that you got married.
Please tell Tom to Tell Mr. Ringo to tell David Weber to stop writing. Just pass his story ideas to someone who can write a character with two dimensions (3D would be a bonus). Weber seems to have all these neat plots and story ideas, but his characters are sooooo bad. Honor Harrington is the only female character he's ever written that isn't a terrible cookie-cutter female, and even she borders on it most of the time.
I can't even read Ringo because of his association with Weber, so I've never been exposed to any of Kratman's work (though I guess he's done enough solo work that it's not an excuse).
Last edited by venice10; 02-21-2012 at 10:01 AM.
Reason: Real names edit