Quote:
Originally Posted by Syous
I wonder about this
There's this photography store I visit a lot, the guy who works there used to be a pro and he's really chill. He's old school but embraces digital technology, except he's got a thing against post-editing.
I feel like you're far better off shooting in neutral or shooting in something that closely matches the tone/color you're looking for and then fine tune it in digital. Seems like the best way to use your time.
in regards to the tungsten/daylight
yeah I meant color temp, not saturation. It's still a significant difference. Had a bad experience shooting a lot of photos I liked at Night time, only to find that I shot in daylight mode and not tungsten when the park was filled with yellow lights. First two photos seemed cool, vintage, and then FML.
I always leave my WB as auto when shooting raw. I can much more accurately fine-tune it in post than on my camera before shooting. If I was doing a whole shoot under perfectly consistent lighting conditions then I'd try to set it properly before the shoot to save the trouble. But in the same way you can just correct it on one image and apply it to the rest in post.
People that shoot digital and act like their refusal to do any post processing is a badge of honor are idiots. Post processing is the digital version of the darkroom and if you aren't doing at least some PP then your pics are not finished.
If you're shooting JPEG then you're leaving the post processing up to the camera's automatic settings, which is really not a good idea. If you're shooting RAW then you have to do the processing yourself.
This isn't to say you shouldn't try to get the best possible exposure you can from the sensor, but you can enhance your picture a LOT through effective PP and get the effect you are looking for.