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Originally Posted by nath
This guy is good but I haven't read more yet.
I haven't been able to find a good critic who's more interested in storytelling and craft than overreading every single ****ing detail into something political.
Like when did every, say, female character turn into a representation of all women and why does every director have to be branded feminist or anti-feminist (or whatever label that is deemed Important at the moment)? Why can't any non-white male (or Denzel) character be appreciated as a complex, independent creation?
I like to think there's more universality to life and I like to think it's worth discussing. Instead, fashionable criticism is about filling and sorting boxes - especially where it's tangential or unimportant.