WSJ Bookreview - My Bright Abyss: Meditation of a Modern Believer
You earlier said "Correct. Authenticity does not require strict literal translation."
All I did was point out that I have never claimed the KJV does not retain authenticity, merely stated that it sacrificed authenticity to make poetic prose and rhyme. Which I think is a trivial statement, if I translate the "2+2 Terms and Conditions" into 1800s lyrical prose, I'm obviously going to lose authenticity - but it will of course be possible to make out the gist of the terms and conditions still.
I'm not sure why this even merits further posts. A cynic might believe you were using this tangent mostly to obfuscate valid criticism towards the KJV.
I'm not sure why this even merits further posts. A cynic might believe you were using this tangent mostly to obfuscate valid criticism towards the KJV.
I guess I'm not following what you mean by "failure to retain authenticity" and "sacrificing authenticity." I take these to mean the same thing.
As I've noted, there's plenty of room to criticize the KJV. It's just that I don't really understand the criticism you're raising, and I don't know whether you've accurately portrayed a flaw of the KJV (mostly because I don't understand the distinction that you're making above).
As I've noted, there's plenty of room to criticize the KJV. It's just that I don't really understand the criticism you're raising, and I don't know whether you've accurately portrayed a flaw of the KJV (mostly because I don't understand the distinction that you're making above).
I think its fair to say I really done my share to entertain your raised issues, and made every effort to raise this debate out of this tangential bog. Since it has not helped, there really is no reason to go further. I suspect any new concepts introduced would be equally difficult to understand, and I'm an empiricist after all.
Our friend, the cynic, might think also note that this acute lack of understanding is also very practical. It does save you the hassle of opinions, making valid arguments and researching claims.
I have written posts to you in good faith, I have linked and sourced what I have written, I have been forgiving about your failure to understand simple concepts and I have even made examples to explain them. I had also hoped the notion of translating the "2+2 terms and conditions" to archaic prose would have explained to you that sacrificing authenticity is not the same as not having any left.
I don't understand why you think that one language is less "authentic" than another, and I still maintain that "failure to retain authenticity" and "sacrificing authenticity" mean the same thing. If you've sacrificed authenticity, then authenticity is lost (ie, not retained), and if you fail to retain authenticity it's because authenticity was lost (ie, sacrificed) in the process.
As best as I can tell, you're saying that it loses authenticity simply because of the chosen destination language, NOT because the translation fails to capture the essential information communicated in the original. I simply disagree with that perspective of language translation. To hold that position would be to say that no translation retains authenticity, which is vaguely reminiscient of one of the reasons mass was held in Latin for a very long time, and would be roughly equivalent to the claim that any translation necessarily loses authenticity.
I think its fair to say I really done my share to entertain your raised issues, and made every effort to raise this debate out of this tangential bog. Since it has not helped, there really is no reason to go further. I suspect any new concepts introduced would be equally difficult to understand, and I'm an empiricist after all.
Our friend, the cynic, might think also note that this acute lack of understanding is also very practical. It does save you the hassle of opinions, making valid arguments and researching claims.
Our friend, the cynic, might think also note that this acute lack of understanding is also very practical. It does save you the hassle of opinions, making valid arguments and researching claims.
In my mind, translating something into archaic prose is the same essential process as translating something to modern English, or French, or German, or any other langauge (Pig Latin).
I don't understand why you think that one language is less "authentic" than another, and I still maintain that "failure to retain authenticity" and "sacrificing authenticity" mean the same thing. If you've sacrificed authenticity, then authenticity is lost (ie, not retained), and if you fail to retain authenticity it's because authenticity was lost (ie, sacrificed) in the process.
As best as I can tell, you're saying that it loses authenticity simply because of the chosen destination language, NOT because the translation fails to capture the essential information communicated in the original. I simply disagree with that perspective of language translation. To hold that position would be to say that no translation retains authenticity, which is vaguely reminiscient of one of the reasons mass was held in Latin for a very long time, and would be roughly equivalent to the claim that any translation necessarily loses authenticity.
I disagree that you've put forward a meaningful description of your criticism, but you don't have to be convinced of this. Best of luck to you.
I don't understand why you think that one language is less "authentic" than another, and I still maintain that "failure to retain authenticity" and "sacrificing authenticity" mean the same thing. If you've sacrificed authenticity, then authenticity is lost (ie, not retained), and if you fail to retain authenticity it's because authenticity was lost (ie, sacrificed) in the process.
As best as I can tell, you're saying that it loses authenticity simply because of the chosen destination language, NOT because the translation fails to capture the essential information communicated in the original. I simply disagree with that perspective of language translation. To hold that position would be to say that no translation retains authenticity, which is vaguely reminiscient of one of the reasons mass was held in Latin for a very long time, and would be roughly equivalent to the claim that any translation necessarily loses authenticity.
I disagree that you've put forward a meaningful description of your criticism, but you don't have to be convinced of this. Best of luck to you.
Alas, no progress.
This is a very eloquent post and it makes it's point so well. I wish I thought as well as you do.
But I think, as far as how I would respond to the part I excerpted, were I the OP, I would say: "That's kind of the point".
and what I mean is that there's something interesting about the relationship between truth and truth-condition, or truth and provability.
I usually try to avoid referencing Gödel because I'm not a mathematician and I'm almost certain it's over my head, but it does fascinate me, both mathematically, and philosophically, and because of the relationship between all that work in the early 20th century and computer science.
If there exist undecidable propositions even in Principia Mathematica, which was almost designed explicitly to try to remove paradoxes and the like, it doesn't seem unreasonable to wonder about the relation between truth and provability in less formal contexts also, or to wonder about the value of metaphors like "Truth is Beauty". That's where I agree with the OP
But I think, as far as how I would respond to the part I excerpted, were I the OP, I would say: "That's kind of the point".
and what I mean is that there's something interesting about the relationship between truth and truth-condition, or truth and provability.
I usually try to avoid referencing Gödel because I'm not a mathematician and I'm almost certain it's over my head, but it does fascinate me, both mathematically, and philosophically, and because of the relationship between all that work in the early 20th century and computer science.
If there exist undecidable propositions even in Principia Mathematica, which was almost designed explicitly to try to remove paradoxes and the like, it doesn't seem unreasonable to wonder about the relation between truth and provability in less formal contexts also, or to wonder about the value of metaphors like "Truth is Beauty". That's where I agree with the OP
This is a very eloquent post and it makes it's point so well. I wish I thought as well as you do.
But I think, as far as how I would respond to the part I excerpted, were I the OP, I would say: "That's kind of the point".
and what I mean is that there's something interesting about the relationship between truth and truth-condition, or truth and provability.
I usually try to avoid referencing Gödel because I'm not a mathematician and I'm almost certain it's over my head, but it does fascinate me, both mathematically, and philosophically, and because of the relationship between all that work in the early 20th century and computer science.
If there exist undecidable propositions even in Principia Mathematica, which was almost designed explicitly to try to remove paradoxes and the like, it doesn't seem unreasonable to wonder about the relation between truth and provability in less formal contexts also, or to wonder about the value of metaphors like "Truth is Beauty". That's where I agree with the OP
But I think, as far as how I would respond to the part I excerpted, were I the OP, I would say: "That's kind of the point".
and what I mean is that there's something interesting about the relationship between truth and truth-condition, or truth and provability.
I usually try to avoid referencing Gödel because I'm not a mathematician and I'm almost certain it's over my head, but it does fascinate me, both mathematically, and philosophically, and because of the relationship between all that work in the early 20th century and computer science.
If there exist undecidable propositions even in Principia Mathematica, which was almost designed explicitly to try to remove paradoxes and the like, it doesn't seem unreasonable to wonder about the relation between truth and provability in less formal contexts also, or to wonder about the value of metaphors like "Truth is Beauty". That's where I agree with the OP
Note that I talked not about "Truth" but about "Spiritual Truth". My view is that, unlike a truth that might be communicated by a proposition with positive truth value, Spiritual Truth is experienced. So, Spiritual Truth is not in the poem, or the film, or the painting, or song, nor is it in whatever propositional content one might try to gleen from such works of art, not is it in the note C#. It's not even "in" the experience. It is experienced or it is not. Evidence of its experience is a change in the spirit in which one lives their life and the fruits of that lived life.
Zumby's post as well as Original Position's comments prompted me to look into the Philosophy of Truth a little bit. Here is the Wiki entry for that:
Wiki - Philosophy of Truth
It looks like non religious approaches to truth do concern themselves mostly with criteria for the truth value of propositions. But evidently there is not philosophical consensus even for this. From the link:
Originally Posted by Wiki
Various theories and views of truth continue to be debated among scholars and philosophers. Language and words are a means by which humans convey information to one another and the method used to recognize a "truth" is termed a criterion of truth. There are differing claims on such questions as what constitutes truth: what things are truthbearers capable of being true or false; how to define and identify truth; the roles that revealed and acquired knowledge play; and whether truth is subjective or objective, relative or absolute.
Originally Posted by Wiki
Correspondence theories state that true beliefs and true statements correspond to the actual state of affairs.[10] This type of theory posits a relationship between thoughts or statements on one hand, and things or objects on the other. It is a traditional model which goes back at least to some of the classical Greek philosophers such as Socrates, Plato, and Aristotle.[11] This class of theories holds that the truth or the falsity of a representation is determined in principle solely by how it relates to "things", by whether it accurately describes those "things".
There's also Constructivist theory:
Originally Posted by Wiki
Social constructivism holds that truth is constructed by social processes, is historically and culturally specific, and that it is in part shaped through the power struggles within a community. Constructivism views all of our knowledge as "constructed," because it does not reflect any external "transcendent" realities (as a pure correspondence theory might hold). Rather, perceptions of truth are viewed as contingent on convention, human perception, and social experience.
There's also Pragmatic theory:
Originally Posted by Wiki
The three most influential forms of the pragmatic theory of truth were introduced around the turn of the 20th century by Charles Sanders Peirce, William James, and John Dewey. Although there are wide differences in viewpoint among these and other proponents of pragmatic theory, they hold in common that truth is verified and confirmed by the results of putting one's concepts into practice.
Notice a similarity between the criteria for truth in Pragmatic Theory and my criteria for experienced Spiritual Truth. While there are no "concepts" to be tested I do propose that the experience of Spiritual Truth be pragmatically tested in the change of Spirit in which one lives their life and, importantly, in the fruits of that life.
There is also Coherence theory:
Originally Posted by Wiki
For coherence theories in general, truth requires a proper fit of elements within a whole system. Very often, though, coherence is taken to imply something more than simple logical consistency; often there is a demand that the propositions in a coherent system lend mutual inferential support to each other. So, for example, the completeness and comprehensiveness of the underlying set of concepts is a critical factor in judging the validity and usefulness of a coherent system.[19] A pervasive tenet of coherence theories is the idea that truth is primarily a property of whole systems of propositions, and can be ascribed to individual propositions only according to their coherence with the whole.
Applicable, I believe, to all of the above and relevant to your comments on Godel is the Undefinability Theorem by Tarski; a kind of offshoot of Godel and likely of more transparent relevance to this discussion:
Wiki -Tarski's Undefinability Theorem
Originally Posted by Wiki
Tarski's undefinability theorem, stated and proved by Alfred Tarski in 1936, is an important limitative result in mathematical logic, the foundations of mathematics, and in formal semantics. Informally, the theorem states that arithmetical truth cannot be defined in arithmetic.
The theorem applies more generally to any sufficiently strong formal system, showing that truth in the standard model of the system cannot be defined within the system.
...
Informally, the theorem says that given some formal arithmetic, the concept of truth in that arithmetic is not definable using the expressive means that arithmetic affords. This implies a major limitation on the scope of "self-representation." It is possible to define a formula True(n) whose extension is T*, but only by drawing on a metalanguage whose expressive power goes beyond that of L.
...
Tarski proved a stronger theorem than the one stated above, using an entirely syntactical method. The resulting theorem applies to any formal language with negation, and with sufficient capability for self-reference that the diagonal lemma holds. First-order arithmetic satisfies these preconditions, but the theorem applies to much more general formal systems.
...
Smullyan (1991, 2001) has argued forcefully that Tarski's undefinability theorem deserves much of the attention garnered by Gödel's incompleteness theorems. That the latter theorems have much to say about all of mathematics and more controversially, about a range of philosophical issues (e.g., Lucas 1961) is less than evident. Tarski's theorem, on the other hand, is not directly about mathematics but about the inherent limitations of any formal language sufficiently expressive to be of real interest. Such languages are necessarily capable of enough self-reference for the diagonal lemma to apply to them. The broader philosophical import of Tarski's theorem is more strikingly evident.
The theorem applies more generally to any sufficiently strong formal system, showing that truth in the standard model of the system cannot be defined within the system.
...
Informally, the theorem says that given some formal arithmetic, the concept of truth in that arithmetic is not definable using the expressive means that arithmetic affords. This implies a major limitation on the scope of "self-representation." It is possible to define a formula True(n) whose extension is T*, but only by drawing on a metalanguage whose expressive power goes beyond that of L.
...
Tarski proved a stronger theorem than the one stated above, using an entirely syntactical method. The resulting theorem applies to any formal language with negation, and with sufficient capability for self-reference that the diagonal lemma holds. First-order arithmetic satisfies these preconditions, but the theorem applies to much more general formal systems.
...
Smullyan (1991, 2001) has argued forcefully that Tarski's undefinability theorem deserves much of the attention garnered by Gödel's incompleteness theorems. That the latter theorems have much to say about all of mathematics and more controversially, about a range of philosophical issues (e.g., Lucas 1961) is less than evident. Tarski's theorem, on the other hand, is not directly about mathematics but about the inherent limitations of any formal language sufficiently expressive to be of real interest. Such languages are necessarily capable of enough self-reference for the diagonal lemma to apply to them. The broader philosophical import of Tarski's theorem is more strikingly evident.
One more note of clarification. Original Position objected that I must have mispoke when I asserted that when we start talking about God we are necessarily speaking poetry. On the contrary, I meant exactly that. In fact, I think it's the heart of the matter. It is not a suprising statement coming from me considering my opinion above that all human language basically consists of metaphors. So in my view all of what we think is propositional content is actually poetry. If that's the case when considering what we think are mundane states of affairs, how much more so is it when delving into regions wrapped in the Great Mystery.
I admit that when I think of God, pray and meditate, I can't help but think of him as an objective entity that objectively exists. However, I recognize that is due to my limitations in perception. I believe it's similar to the way I undertstand most mathematicians view the work they do. Most mathematicians will tell you they don't believe their mathematics exist objectively like Platonic ideals. However they will also add that while working on their theorems they can't help but think of them that way.
PairTheBoard
Note that I talked not about "Truth" but about "Spiritual Truth". My view is that, unlike a truth that might be communicated by a proposition with positive truth value, Spiritual Truth is experienced. So, Spiritual Truth is not in the poem, or the film, or the painting, or song, nor is it in whatever propositional content one might try to gleen from such works of art, not is it in the note C#. It's not even "in" the experience. It is experienced or it is not. Evidence of its experience is a change in the spirit in which one lives their life and the fruits of that lived life.
This is an example of Wittgenstein's claim that language can be used for many things beyond just communicating propositions. However, I think if you accept this claim about language you should also accept Wittgenstein's notion of a "language game," that the meaning of your statement is some extent determined by the context in which you say it. For example, reciting the Shema in a synagogue is very different from saying it on a online forum oriented around a discussion of the truth or falsity of various religious claims. You might say with some plausibility that in the prior case there is the kind of "spiritual truth" associated with it that you talk about here. I am doubtful there is any of that associated with the statement made as a topic for discussion on 2p2. So while I won't protest to your using religious language in the context of a religious service or among fellow believers to express "spiritual truths" as you've defined it, I do think it is misleading to use it as such to nonbelievers or in an intellectual discussion of religion.
It appears to me that Zumby and Original Position take it for granted that the only reasonable meaning of truth is propositions which correspond to the actual state of affairs - Correspondence Theory.
That does seem to be the majority view among philosophers. I myself am not so sure about it. I don't reject the notion that there is an actual state of affairs. But I'm sceptical whether any human language constrution of a proposition ever accurately captures any part of it. As I've posted here and in SMP in the past, I view human language as basically all metaphoric. Even our scientific models amount to metaphors in the highly structured language of mathematics - but metaphors nevertheless. As such we are always proposing what we think the state of affairs are like. We never accurately capture what they actually are nor do I think we ever can.
Notice a similarity between the criteria for truth in Pragmatic Theory and my criteria for experienced Spiritual Truth. While there are no "concepts" to be tested I do propose that the experience of Spiritual Truth be pragmatically tested in the change of Spirit in which one lives their life and, importantly, in the fruits of that life.
Applicable, I believe, to all of the above and relevant to your comments on Godel is the Undefinability Theorem by Tarski; a kind of offshoot of Godel and likely of more transparent relevance to this discussion:
Wiki -Tarski's Undefinability Theorem
Wiki -Tarski's Undefinability Theorem
One more note of clarification. Original Position objected that I must have mispoke when I asserted that when we start talking about God we are necessarily speaking poetry. On the contrary, I meant exactly that. In fact, I think it's the heart of the matter. It is not a suprising statement coming from me considering my opinion above that all human language basically consists of metaphors. So in my view all of what we think is propositional content is actually poetry. If that's the case when considering what we think are mundane states of affairs, how much more so is it when delving into regions wrapped in the Great Mystery.
But now I think this really does become ridiculous. I don't mind if you want to use religious language to express some emotional experience, but this is because religious claims are largely unverifiable and so have little functional role beyond their emotional content anyway. However, this is not the case with other claims. I am absolutely not interested in a usage of "truth" whereby it ends up being "true" that the earth is flat if saying so gives you a profound emotional experience.
I admit that when I think of God, pray and meditate, I can't help but think of him as an objective entity that objectively exists. However, I recognize that is due to my limitations in perception. I believe it's similar to the way I undertstand most mathematicians view the work they do. Most mathematicians will tell you they don't believe their mathematics exist objectively like Platonic ideals. However they will also add that while working on their theorems they can't help but think of them that way.
As I've done a few threads on "truth" now I'll save time and pretty much just +1 OrP's response, though on some days I lean more towards a minimalist theory of truth than correspondence. For those interested but short on time, there is a nice summary of theories of truth here.
Originally Posted by PairTheBoard
Note that I talked not about "Truth" but about "Spiritual Truth". My view is that, unlike a truth that might be communicated by a proposition with positive truth value, Spiritual Truth is experienced. So, Spiritual Truth is not in the poem, or the film, or the painting, or song, nor is it in whatever propositional content one might try to gleen from such works of art, not is it in the note C#. It's not even "in" the experience. It is experienced or it is not. Evidence of its experience is a change in the spirit in which one lives their life and the fruits of that lived life.
My point is almost exactly opposite to how you have represented it. I'm saying that spiritual truth is not found in the truth value of spiritual claims. Rather, spiritual truth is experienced. That experience might be evoked by viewing a painting, watching a film, hearing a sonata, or simply seeing a waterfall. I don't claim all these things are forms of poetry nor are there any spiritual claims necessarily involved in any of them.
You seem to be stuck in a paradigm of thought whereby any talk of truth must involve propositions, or claims, with some criteria for their being true. My view is that when it comes to spiritual truth, that paradigm is too limited.
PairTheBoard
Originally Posted by PairTheBoard
Note that I talked not about "Truth" but about "Spiritual Truth". My view is that, unlike a truth that might be communicated by a proposition with positive truth value, Spiritual Truth is experienced. So, Spiritual Truth is not in the poem, or the film, or the painting, or song, nor is it in whatever propositional content one might try to gleen from such works of art, not is it in the note C#. It's not even "in" the experience. It is experienced or it is not. Evidence of its experience is a change in the spirit in which one lives their life and the fruits of that lived life.
I especially don't see how that comes when read in context of the whole paragraph which specifically rejects the notion.
Whatever.
PairTheBoard
I don't see anything you bolded that mentions "spiritual claims" which are "true" if "they have some kind of positive change in a person's life".
I especially don't see how that comes when read in context of the whole paragraph which specifically rejects the notion.
I especially don't see how that comes when read in context of the whole paragraph which specifically rejects the notion.
Whatever.
PairTheBoard
I'm really having trouble seeing how you can read my paragraph above and represent it as you do here.
My point is almost exactly opposite to how you have represented it. I'm saying that spiritual truth is not found in the truth value of spiritual claims. Rather, spiritual truth is experienced. That experience might be evoked by viewing a painting, watching a film, hearing a sonata, or simply seeing a waterfall. I don't claim all these things are forms of poetry nor are there any spiritual claims necessarily involved in any of them.
My point is almost exactly opposite to how you have represented it. I'm saying that spiritual truth is not found in the truth value of spiritual claims. Rather, spiritual truth is experienced. That experience might be evoked by viewing a painting, watching a film, hearing a sonata, or simply seeing a waterfall. I don't claim all these things are forms of poetry nor are there any spiritual claims necessarily involved in any of them.
You seem to be stuck in a paradigm of thought whereby any talk of truth must involve propositions, or claims, with some criteria for their being true. My view is that when it comes to spiritual truth, that paradigm is too limited.
Why don't you show that quote by me?
You seem to be having trouble with the fundamental idea. I think I've provided enough clarifications. I really don't know what you've been analyzing. It's evidently not what I've been talking about. You might try rereading my posts more carefully.
PairTheBoard
Originally Posted by Original Position:
You said that a spiritual truth was the experience evoked by works of art, etc.
You said that a spiritual truth was the experience evoked by works of art, etc.
Originally Posted by Original Position:
a spiritual truth was the experience evoked by works of art, etc.
a spiritual truth was the experience evoked by works of art, etc.
By "poetic experience of spiritual truth"...I have in mind the kind of experience one might have reading a poem that draws you in, engages you, touches you, affects you and provides you with a new perspective. Similiar experiences might come from seeing a powerful film and coming out of the theater feeling somehow changed. Or being moved by a compelling piece of music, or good book, or striking painting, or maybe just hearing a well told story.
In my view God is not rejected. But as soon as we start talking about God we are necessarily speaking poetry...In my view, the "God Poem" resonates with many people, evoking poetic experiences of a highly spiritual, life changing and life affirming nature. The God Poem evokes poetic experiences of spiritual truth for many people.
In my view God is not rejected. But as soon as we start talking about God we are necessarily speaking poetry...In my view, the "God Poem" resonates with many people, evoking poetic experiences of a highly spiritual, life changing and life affirming nature. The God Poem evokes poetic experiences of spiritual truth for many people.
You seem to be having trouble with the fundamental idea. I think I've provided enough clarifications. I really don't know what you've been analyzing. It's evidently not what I've been talking about. You might try rereading my posts more carefully.
I'm not sure why this phenomena should be called "spiritual truth". Art can make me both laugh and cry, but why invoke a claim of truth to this? It's an emotional and esthetical reaction, a reaction to beauty, memories or combinations thereof.
By plastering the term "truth" to such things, I fear we start attributing truth to things we wish were true rather than finding goods way of assessing evidence. Magic is an excellent example; it makes for wondrous stories but poor knowledge.
By plastering the term "truth" to such things, I fear we start attributing truth to things we wish were true rather than finding goods way of assessing evidence. Magic is an excellent example; it makes for wondrous stories but poor knowledge.
I don't think so.
But as I've emphasized repeatedly, my view is that Spiritual Truth is experienced. You seem unable to get past looking for something which you can identify as Spiritual Truth. You've misunderstood me to mean that Spiritual Truth is the experience. And you've misunderstood me to mean that a spiritual claim is true if the experience of it provides the evidence I mentioned for an experience of Spiritual Truth - this when I've never mentioned the term "spiritual claim".
So, I agree with you that you don't seem to be getting what I'm saying. I don't know how to be more clear about it though. I don't see anything in what you quoted that indicates differently. You also failed to quote my clarifications where I specifically addressed the misunderstandings of what I've presented.
I don't mind being disagreed with or people posting differing opinions. But it is a bit tiresome to have to repeatedly correct inaccurate paraphrasing of what I've said. I don't mind if you disagree with what I say. I do mind when you disagree with misrepresentations of what I've said.
PairTheBoard
Maybe there is some kind of lurking Platonism in your view, and that is what is throwing me off. When I leave a movie feeling moved, I don't think there is something external to my emotions that I'm experiencing. To me, a "poetic experience" of art just is that experience. Maybe you have a different view.
But as I've emphasized repeatedly, my view is that Spiritual Truth is experienced. You seem unable to get past looking for something which you can identify as Spiritual Truth.
<snip>
<snip>
It isn't so much that I can't get past it as that the reason I entered this thread was to ask you what you meant by "spiritual truth." I'm not really much closer to knowing what you mean and since you seem to resent having to explain it, there probably isn't much point in going on.
I suspect the problem may be that the view I'm proposing is actually innovative and you're having trouble finding a category you're already familiar with to pry it into. I recognize it's an unusual thing to view Faith as meaningful without its involving belief in some propositions and to view experienced Spiritual Truth as meaningful when not involving propositions claimed to be true. My intuition is that this view has value which will become more apparent to those willing to spend time getting used to it.
PairTheBoard
Considering the poetic ; the "blind poet" speaks from ancient Greece. the Iliad and the Odyssey are considered mainstays of the western ethos and certainly when placed within the dialectic, discursive paradigm would be considered illusory.
Homer, the poet, speaks from a higher thought filled realm and the truth or falsity of his works are within the human being. Man has a natural appreciation of truth and any dialectical category will, perforce, fall short within the poetic realm.
Music, likewise, speaks to the individual and offers whose truths unaquired through logic, etc...
this is not a call to give up logic and categories, etc.. but to know that the artist reaches to the highest realms of this thought filled cosmos and brings these effects to his fellow man. The artist is the practitioner of a spiritual practicum. Likewise the philosopher is he who enters these realms and is a artist of the spirit, again those realms of thought.
The artist and the philosopher both enter into the same arena, better known as the spiritual arena but the demand for absoluteness is negated as in those realms one looks at many sides of the tree and doesn't consider one picture of the tree the factual.
And so, the poet who is the most spiritually enlightened of the artists brings forth his practicum and the individual reader/listener can, in some way, "experience" these truths which are beyond the discursive but certainly within the realm of the human soul. If one denies the beauty and truth of the poetic due to some category within the logical and discursive it only means that the intellect has reached the limits of its abilities.
This may seem to be a bit reaching but I'll refer to the religious and specifically Dionysius the Areopagite whose of which (two) tomes are telling; The "Divine Names" and the "Mystical Theology".
Through his contemplative nature he presents the "Divine Names" in which the spiritual beings of our cosmos, by name and activity, are presented to the reader but better yet the meditative being as his mystery center was all about meditative contemplation passed by word and tone only later put to the written word. through this experiential meditation the cosmic beings are presented but more to the point "experienced" and thusly the realm of Angels, Archangels, Archae, Elohim, Dynamis, Kyriotetes, Thrones, Cherubim and Seraphim are brought forth. He speaks to the Trinity also as the drift is is of "divine names". Some measure of structure is present is this presentation.
The other methodology is the denying of any catagory as one meditates into the darkness. Thus of one says G- is Love, or justice, or beauty one denies the above. Any and all categorizing of the qualities of the godhead is denied and in this one comes to that realm of the ineffable (my word not his).
From the Mystical Theology:
"And this I take to signify that the divinest and highest things seen by the eyes or contemplated by the mind are but the symbolical expressions of those that are immediately beneath it that is above all. Through these, Its incomprehensible Presence is manifested upon those heights of Its Holy Places; that then It breaks forth, even from that which is seen and that which sees, and plunges the mystic into the Darkness of Unknowing, whence all perfection of understanding is excluded, and he is enwrapped in that which is altogether intangible, wholly absorbed in it that is beyond all, and in none else (whether himself or another); and through the inactivity of all his reasoning powers is united by his highest faculty to it that is wholly unknowable; thus by knowing nothing he knows That which is beyond his knowledge."
This is the entry through negation.
Note that these matters have a logic of their own and can be presented on a platform of comprehensibility to you and I; an open mind is the requirement. The platform of science speaks for itself as does the platform of religion but they are both comprehensible and in fact will have to merge in the future but that's another story.
Also, when I speak of "platforms" I am speaking to the reason within the particular realm. some may say that how can they know about the realm of the artist or the religious or the musician if they are unable to meditate or reach these reals themselves? The matter is that you don't have to be a Raphael or an artist to appreciate where he has traveled which is of the spiritual. This you do by experiencing his works, some more so some less. You can and do gain from the reading of the Iliad and will find this comprehensible for not only is it a great work of the spirit but it is a reminder of your home, that realm to which we wish to reunite whether we realize it or not. That is called religion or "religare" the Latin to reunite.
Homer, the poet, speaks from a higher thought filled realm and the truth or falsity of his works are within the human being. Man has a natural appreciation of truth and any dialectical category will, perforce, fall short within the poetic realm.
Music, likewise, speaks to the individual and offers whose truths unaquired through logic, etc...
this is not a call to give up logic and categories, etc.. but to know that the artist reaches to the highest realms of this thought filled cosmos and brings these effects to his fellow man. The artist is the practitioner of a spiritual practicum. Likewise the philosopher is he who enters these realms and is a artist of the spirit, again those realms of thought.
The artist and the philosopher both enter into the same arena, better known as the spiritual arena but the demand for absoluteness is negated as in those realms one looks at many sides of the tree and doesn't consider one picture of the tree the factual.
And so, the poet who is the most spiritually enlightened of the artists brings forth his practicum and the individual reader/listener can, in some way, "experience" these truths which are beyond the discursive but certainly within the realm of the human soul. If one denies the beauty and truth of the poetic due to some category within the logical and discursive it only means that the intellect has reached the limits of its abilities.
This may seem to be a bit reaching but I'll refer to the religious and specifically Dionysius the Areopagite whose of which (two) tomes are telling; The "Divine Names" and the "Mystical Theology".
Through his contemplative nature he presents the "Divine Names" in which the spiritual beings of our cosmos, by name and activity, are presented to the reader but better yet the meditative being as his mystery center was all about meditative contemplation passed by word and tone only later put to the written word. through this experiential meditation the cosmic beings are presented but more to the point "experienced" and thusly the realm of Angels, Archangels, Archae, Elohim, Dynamis, Kyriotetes, Thrones, Cherubim and Seraphim are brought forth. He speaks to the Trinity also as the drift is is of "divine names". Some measure of structure is present is this presentation.
The other methodology is the denying of any catagory as one meditates into the darkness. Thus of one says G- is Love, or justice, or beauty one denies the above. Any and all categorizing of the qualities of the godhead is denied and in this one comes to that realm of the ineffable (my word not his).
From the Mystical Theology:
"And this I take to signify that the divinest and highest things seen by the eyes or contemplated by the mind are but the symbolical expressions of those that are immediately beneath it that is above all. Through these, Its incomprehensible Presence is manifested upon those heights of Its Holy Places; that then It breaks forth, even from that which is seen and that which sees, and plunges the mystic into the Darkness of Unknowing, whence all perfection of understanding is excluded, and he is enwrapped in that which is altogether intangible, wholly absorbed in it that is beyond all, and in none else (whether himself or another); and through the inactivity of all his reasoning powers is united by his highest faculty to it that is wholly unknowable; thus by knowing nothing he knows That which is beyond his knowledge."
This is the entry through negation.
Note that these matters have a logic of their own and can be presented on a platform of comprehensibility to you and I; an open mind is the requirement. The platform of science speaks for itself as does the platform of religion but they are both comprehensible and in fact will have to merge in the future but that's another story.
Also, when I speak of "platforms" I am speaking to the reason within the particular realm. some may say that how can they know about the realm of the artist or the religious or the musician if they are unable to meditate or reach these reals themselves? The matter is that you don't have to be a Raphael or an artist to appreciate where he has traveled which is of the spiritual. This you do by experiencing his works, some more so some less. You can and do gain from the reading of the Iliad and will find this comprehensible for not only is it a great work of the spirit but it is a reminder of your home, that realm to which we wish to reunite whether we realize it or not. That is called religion or "religare" the Latin to reunite.
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