I'll add a contrarian voice to the
20/20 talk ITT: I like it.
My nitpicks: I wasn't a fan of the various 808 sound choices—e.g., I thought the first half of "Don't Hold the Wall" was elite, whereas the second half felt kind of amateurish—and most of the tracks need to be ~20% shorter. It also suffers from a good amount of aesthetic dissonance: the 808-based stuff, and the
Loose leftovers ("Let the Groove Get In"), and the Prince-like stuff, and the '90s-Timbo throwbacks, and the pure
FutureSex/LoveSounds rehashes, sit side by side in a not-too-coherent way. A more homogeneous stylistic palette would've served it well, imo.
But it melts very well into the background of whatever the **** I'm doing, and scattered throughout are a good amount of elite-tier high points, which is more than I can say for most albums. So if I did the rating thing, I'd probably give it a 7-7.5/10 or so. I expected to like it because I like most of what Timbaland has done, but it's in the bottom half of his body of work, imo.
It's not very close to
FS/LS, though, that much is clear imo.
FS/LS mastered this binary-song-w/-interlude structure.
"... Comes Around" and
"I Think She Knows" are untouchable.
Quote:
Originally Posted by LOL LDO
It's been a while since an album from an artist I'd never heard of has had as big an impact on me as Waxahatchee's "Cerulean Salt". It's an astonishingly good album. Highly recommend it. Also downloaded her first album which is more lo-fi but just as moving and superbly well written.
Yeah, loved this one. "Hollow Bedroom" and "Brother Bryan" are great tracks. "BB" in particular is pretty cunning: the instrumental is minimalist in a childish and unsophisticated way, but that only makes the vocals (esp. in the chorus) a lot more touching. I'm not sure why I just thought of Vivian Girls's
"No"—but I did.