Yes those were better movies imo.
On the other far, far other end of the action spectrum I also watched
Japanese Girls at the Harbor(1933) (Shuffle recommendation) and
Late Spring(1949) (Criterion). Enjoyed both. The effects of westernization and American culture on traditional Japanese culture were evident in both, pre-WW2 and post-WW2 occupation. The Japanese Girls story was about a love triangle over several years but was more interesting for the silent film techniques that were used and the effects of westernization. I couldn't help to think about what would happen to the characters and the actors themselves living in Japan eight to twelve years later.
Film buffs consider
Late Spring to be one of the greatest films of all time. Director Ozu uses pillow shots, low angle shots, static camera, perfect composition. Its like watching talking paintings. It is about a daughter who is devoted to her father. There is lot going on about human relationships in this film, too much to list here. The wonderful web is full of discussions about the film especially the vase pillow shot. What is it? A static 10 second black and white shot of a vase. After Noriko stares at a vase or, at least, after the viewers do, she goes from a smile to a tear. Why? Many answers. To me, she is suddenly saddened when she realized that her father’s life without his daughter could become joyless like the empty vase without pretty flowers.