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Originally Posted by Rex Ingram
Written on the Wind - This movie lacks great acting and precise plot. The story is very predicable and at times overly melodramatic. The characters are cliche and dialogue is barely serviceable. Yet this movie is very moving. Ultimately to me, that's what separates a really good movie from merely good. This movie is directed by Douglas Sirk and is one of the several melodramas that he churned out in the 50's. What he does with this movie is truly special. Being burdened by the limitations I outlined above, he simply sidesteps them and tells the story by relying on things other than skilled acting and immersive story. What he does here, is focus on character's feelings, explore their motivation and flesh out drama and tragedy from a routine melodrama. Sirk was also a superb artist, so all the visuals and every single scene is beautiful and precisely crafted. A--
Gods of the Plague - This was directed by someone who was inspired by Sirk - Rainer Werner Fassbinder. To me this seemed like Fassbinder's take on a french new wave's take on American thrillers. The story was smooth and free flowing, light on the plot and driven by characters about whom little is known. So as the movie unfolds, you try to guess character's feelings and motivations, because that would explain the story more than chopped scenes you are watching. Far from Fassbinder's best, this movie falls short at some aspects and becomes a little too abstract. The story seems to spiral out too much. Still a good enjoyable movie, told from a very different perspective.
B+
Written on the Wind is terrific. Sirk, through melodrama, exposes what lies below the American Dream. That image of Dorothy Malone and the model oil derrick remains potent.
And, of course, Ali:Fear Eats the Soul is the best Fassbinder "remake" of a Sirk film.
Last edited by John Cole; 12-27-2018 at 10:02 PM.
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