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Talk About Movies: Part 4 Talk About Movies: Part 4

05-26-2024 , 04:09 PM
Love Lies Bleeding was great. Gritty and absorbing. Kristen Stewart has had such an interesting, diverse career post-Twilight. I wonder if she'll ever return to mainstream cinema?

One minor quibble:
Spoiler:
once events started heating up, I was choking on the idea that these two out of control, sloppy idiots were going to get away with it. How dumb would law enforcement have to be to not catch them? Yeesh.
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05-26-2024 , 06:37 PM
Quote:
Originally Posted by Rooksx
Love Lies Bleeding was great. Gritty and absorbing. Kristen Stewart has had such an interesting, diverse career post-Twilight. I wonder if she'll ever return to mainstream cinema?

One minor quibble:
Spoiler:
once events started heating up, I was choking on the idea that these two out of control, sloppy idiots were going to get away with it. How dumb would law enforcement have to be to not catch them? Yeesh.
Kristen Stewart is great in Personal Shopper and The Clouds of Sils Maria, both directed by Olivier Assayas.

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05-26-2024 , 07:26 PM
Just got back from Furiosa.

In a word: spectacular. I'm dumbfounded by people saying it's not worthy of Fury Road. It's bigger, more epic, and with even more stunning action.

Loved the cast, loved everything about it, really. This a dark fairy tale, like a modern day Grimms.

George Miller, at 79, is making the best action films ever made. It's incredible.
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05-26-2024 , 08:52 PM
Sean Baker's Anora wins top prize at Cannes. Baker seems to specialize in outcasts as in Tangerine and The Florida Project. Anora's plot concerns a stripper who marries the son of a Russian oligarch.

What I love about Baker's films is the respect he has for those whose lives are lived at the boundaries. He captures the humorous and the poignant convincingly.





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05-26-2024 , 09:02 PM
Quote:
Originally Posted by John Cole
Hey, I've seen and loved La Region Central and Satantango, but also enjoyed Diehard and The Princess Bride although I wish Buttercup were more like the one in the novel.

Yesterday I watched About Dry Grasses, another over three hours epic from Nuri Bilge Ceylon. Two middle school teachers are accused, wrongly, of inappropriate behavior with female students. Both men are attracted to a teacher at a school in a nearby town who had her leg amputated while at a protest. The town where they teach is covered in snow, and we only see the dry grass at the end of the film.

One of the characters says at the beginning of the film that everybody lies, even, it seems, to themselves.

It's a great film, but it does require patience. There's also one astonishing scene near the end of the film that is totally unexpected. Filmmakers lie too.

Available on Criterion.

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I watched it too, on Criterion. I loved Ceylon's earlier film Once upon a time in Anatolia about searching for a dead body. This new one is really artsy. I think it is supposed to be like a Chekhov play, a philosphical and psychological study of 3 main characters. The protagonist, Samet, seems at first to be charming and admirable with his teaching career. As events occur in the movie , I found him more and more unlikeable. He seems cynical and narcissistic at heart and ends up hurting people. I think Samet was thinking of the village people as "dry grasses", not of much value. There is a long conversation between him, Samet and Nuray, the woman, in her apartment that reveals his beliefs and anchors the movie. By the way, I think Samet went to take a Viagra pill in that special scene In an interview Ceylon said he put it in to remind people that it was a movie to ease the tension. I didn't think it was a good idea. The movie reminded me of Santantango that you mentioned because of the long walks in the snow and the grass. I can't say that I liked this movie because it was slow and, ultimately, was a downer.
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05-26-2024 , 09:02 PM
yeah, I'm looking forward to seeing that one, John. His movies are unique.
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05-26-2024 , 09:11 PM
I couldn't quite see what was going on in that scene, but it seemed a Brechtian fourth wall thing. Somehow I think it made sense.

I was caught up in the long scene with Samet and Nuri.

I also liked the inclusion of the still photographs that seem to reveal the true character of the subjects.

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