Quote:
Originally Posted by suzzer99
king did you take those? If so can you please describe the setup and post-processing. I'm very interested in doing surreal-ish landscape type things, but have zero clue where to start.
Yeah, I took them.
Camera: Canon Rebel XSi
Lens: 18-55mm kit lens
Interstate shot:
Handheld
One exposure
Aperture priority mode
Aperture: f/13
Exposure time: 1/100 sec
ISO 100
Lake shot:
Handheld
Three exposures (-2, 0, +2 EV)
Aperture priority mode
Aperture: f/11 (higher number probably would've been better, but I was shooting handheld and needed a faster shutter speed)
ISO 200
I think I used a circular polarizer filter
Waterfall shot:
Three exposures (-2, 0, +2 EV)
Shutter priority mode
Exposure time: 6/10 sec
ISO 100
Tripod (obviously)
Used a circular polarizer filter
I take the three multi-exposed raws and combine and tonemap them in Photomatix. I normally put the strength and color saturation pretty high. I think I had the strength at 100 for those last two. I usually put light smoothing at very high, but for the waterfall shot I believe I put it at just high. I also play around with luminosity, white point, black point, temperature, and micro smoothing. The settings I use for those vary depending on the picture.
I then take it into Photoshop. I add a "curves" adjustment layer and use either the linear or medium contrast preset. I add an unsharp mask filter. Sometimes I will add a hue/saturation adjustment layer and tinker with the saturation of certain colors.
For the interstate shot, the post-processing was the same as described above even though I only used one raw file. I tonemapped it in Photomatix as if it was an HDR, even though it technically isn't. I did it this way because the moving cars in the shot would have created ghosting if I had used three shots.