For my second pick, I choose this adorable, little scamp:
Alex DeLarge, played by Malcolm McDowell in "A Clockwork Orange".
A flamboyant sociopath with an eye for the ladies and an ear for Beethoven's Ninth? Hell, yeah.
The Alex in Kubrick's film is a cartoon version of the icy character in Anthony Burgess's book, but that suits the bombastic nature of Kubrick's vision just fine. He and McDowell transform Alex from a cheap but terrifying teen-age hood to a Day-Glo monster who is changed, through the nuero-programming graces of the Ludovico technique, into a solid citizen.
A skilled manipulator, Alex gets caught up in his own grift. The treatment buys him freedom from prison, but leaves him vulnerable.
In the book (as originally published in England), he finds solace in the small hope that he can forget the vices he used to enjoy, and appreciate the simpler things that might be in store, maybe even a wife and family.
The film is a little different, as Kubrick read the American publication, which omitted the final chapter of the original printing.
No spoilers, but final scene of the film is McDowell revealing the core of his character. It is, in its own way, as horrifying as the famed "stylized violence" that dominated the film.
1. Chance the Gardner, Being There
2. Alex Delarge, A Clockwork Orange