Quote:
Originally Posted by Blarg
Even comedies can have a dramatic arc. Did this one just seem to be a collection of scenes going nowhere, or something like that?
I disagree on
Zombieland having no dramatic arch. The movie is clearly about a group of loners who create a family together. Each character was painted as someone who has withdrawn from society (even before Zombieland) in their own way -- with the majority of the attention given to Tallahassee and his
and Columbus' general social awkwardness/fear of rejection. Over the course of the film, they change. They learn to let people into their lives again. It's not an arch meant to move you to tears (this is a "smart" broad comedy after all), but it's a clear narrative thread that brings the "collection of scenes going nowhere" together in the end. Ultimately, it's a road trip movie about learning to trust people enough to let them into your life.
As far as the plot goes, the amusement park as a destination is completely arbitrary and didn't serve any purpose other than give the characters somewhere to go and provide a fantastic location for the
In this sense, you could call it uninspired, but this movie was so much fun that it really didn't matter -- and I don't think it's supposed to. There are some big laughs in this movie along with a lot of smaller ones. When it comes to flat-out, no-holds-barred, popcorn entertainment, for me this was one of the major highlights of 2009.