Quote:
Originally Posted by Dominic
Was this right after he calls her ugly and she yell at him to leave?
I had to go to the bathroom, so I may have missed it.
The critical scene about authenticity/career trajectory is the one on the balcony at the Chateau Marmont in front of the giant billboard of her face. But there are at least 3 times when Jack voices his disapproval about where she’s heading with her career. So I’m surprised at your critique with that aspect.
The bathroom break can really mess up the experience of this movie. I missed a massively critical scene on my first watch, and my wife missed the scene where he’s talking to the counselor in rehab and unveils the severity of his psychiatric issues... twice (yes we saw the movie twice in 3 days.)
This film is much more rich and subtle than it appears at first. On the first viewing you are so blown away by the acting and music that it’s hard to appreciate the pacing, writing, dialogue, foreshadowing, and even the amazing performances of the minor supporting actors (Ally’s friend from work is brilliant in a small role that really adds richness and authenticity to the whole movie.) This movie definitely gets better with subsequent viewings.
The most noteworthy aspect of this movie, to me, is the directing. Cooper is somehow able to construct a universe that the viewer wants to inhabit and doesn’t want to leave. I would have thought this is impossible to do in a contemporary melodrama. When the movie is over, you are sad to have to leave their world. I wanted to watch them more and hear more music and watch them play more concerts. I feel like this is the result of how the film was shot. All those close ups and the perspectives used during their stage performances leave you feeling not only like you were there... but like you were THEM.