bear with me for a bit 'cause i love 7 time. here's a boogie blues song by Will Bradley called 'Beat Me Daddy, Eight to the Bar' (not in septuple meter)
here's an interpretation by Don Ellis called 'Beat Me Daddy, Seven to the Bar' played by the Don Ellis Orchestra at the Monterey Jazz Festival in 1966 in 7/8 time
This popped up on my feed; I assume because of the above.
Or maybe because of the 70s fashions, which seem to get a lot of play in this thread.
I've seen them both play at the Armadillo in the 70s. I credit Asleep At The Wheel with reviving Country Swing/Bob Wills in the 70s. It might seem astounding now how popular these bands' shows were at the time, and how fresh their music seemed. There were a lot of hippie girls in Austin in the 70s who made no pretension of hiding their two-stepping hearts, and you couldn't keep them off the dance floor.
he recorded about a dozen studio albums and about a half-dozen live albums after A Love Supreme before he passed away in '67, some released while he was still alive, some after.
there just aren't recordings of him playing live songs off of that album.
schlitzy, it makes me happy you seem to have found some interest in this song.
i'm interested to hearing you elaborate on what you mean by the 'in' and the 'out', are there particular points in the song you can point to?
have you listened to 'A Love Supreme' from beginning to end? Part IV Psalm is the last part of the four part suite, but it's a continuous melodic story before it reaches that part.
give this one a play with headphones on after enjoying your favorite edible and let me know what you think after having some time to digest it (and anything else you eat along the way).
i'm a big fan of listening to a jazz album at least the same number of times as the number of personnel listed in the liner notes, so i can focus each listen on a single instrument. in this case it would be four
John Coltrane -- soprano and tenor saxophone
Jimmy Garrison -- double bass
Elvin Jones -- drums
McCoy Tyner -- piano
Part III - Pursuance when it's just piano, bass, and drums scrambles my mind every time.
trane just blows a little intro bit to set the tone, steps away, and off they go.
the groove they find is so deep
Sonny Clark was one of the many great musicians that were lost in their prime. he OD'd at 31.
seeing Donald Byrd made me think of Art Blakey and the Jazz Messengers when Byrd played with him/them. also made me think of this mix of Blakey/Trane/Byrd