Quantity over quality ITT. Self-indulgent jam band garbage imo. A rock and roll song is three and a half minutes long yo
Rock and Roll has no such limitations. I can appreciate the (technologically forced) efficiency of a three-minute gut-shot as much as anyone. But using it as some kind of aesthetic battering ram for rationalizing your personal prejudices, such as calling the Allman Brothers "self-indulgent jam band garbage", is hipster doofus proselytizing at it's most hilarious.
"Whipping Post" (and I'm thinking primarily of the Fillmore version, since that is the most famous) is long, but it rewards immensely. No wasted notes, no artifice. You may prefer your mess in easily digestible nuggets, but songs that allow for exploration and nuanced expression are no less valid.
"Echoes" was a surprise, if only for the fact it wasn't really a signature song. And the daveT pick was definitely a daveT pick, and that's a good thing.
Well, this is a no-brainer, for me, anyway. I've long held the greatest song in the Rock and Roll canon is "Gimme Shelter", by the Rolling Stones, and I see no reason to disavow that singular truth, now.
Fighting a bit of a summer cold this morning, plus I have to run off and do some work. So I'm going to cheat on my write-up a little, and crib my own mess, from the album draft.
Quote:
It starts, fittingly enough, with "Gimme Shelter", which I consider the finest rock and roll song/performance, ever. The threat, so forcefully and beautifully expressed, uncoils through Keith Richard's guitar work, which begins the proceedings by restyling Chuck Berry into a snarling declaration of both threat and promise, fear and security.
The bass begins to roll underneath, and drummer Charlie Watts issues a two-note thundercrack that signals something truly memorable.
Watts playing actually makes this song, nothing fancy, but urgently grooved and perfectly accenting the proceedings with a four-note pattern that give the song both it's gravity and it's black lilt.
By the time Mick Jagger begins to sing, you're hooked, but what little solace his voice may have offered is suddenly derailed by Merry Clayton's amazing high harmony on the chorus, and she acts, throughout the song, as a chilling Greek chorus.
Through it all, there is that blues harp, an unearthly, distorted buzz that feels like nothing less than Satan humming along.
It is easily the scariest song in the rock canon. "undrafted" comes close, perhaps "undrafted", but "Gimme Shelters" heralds a more universal fear, of war, both literal and metaphorical. And it's not an abstract and clinical, watch-it-on CNN reality show, but an Armageddon-in-your-back yard type of affair.
Never, though, has the apocalypse grooved so hard. It is, all in all, an awesome and danceable rumination on fear.
There you have it...the greatest song in Rock and Roll, from the Greatest Album in Rock and Roll. If you have not heard the thing, I suggest you go and find a copy, and put it on. Turn off all the lights, grab a bottle of brown liquor, preferably named after a fine southern gentleman, hunker down with the one you love, rut like a fevered weasel, and stare down the apocalypse like a man.
I’m going to momentarily take this draft out of the pre-1975 era.
The late 90’s and early 00’s were a dark period for rock ‘n roll. Boy bands such as 98 Degrees and rock pretenders like Creed dominated the charts and fought for the hearts and minds of a youth that had never known honest, soulful, pure rock music. Real rock fans were forced into hiding, with nothing more than memories and alcohol-based support groups to reminisce about the older days.
Enter a 7-note riff, using an octave pedal to create a sound deeper than any guitar should go.
Round 1: Seven Nation Army, The White Stripes
This song rocks. Pure and simple. Jack White is one of only a few modern day guitarists that can be identified by a single note. His wailing guitar on this track, along with the primal drumming, was all that was necessary to bring rock fans out of hiding.
I’ll admit there was one other band that helped revive rock in the early part of the 00’s, but there was no other song that brought instrument-based music back into the conversation.
I like the White Stripes pick. Great song, outside the box of where this draft had been, and something that's now practically ubiquitous at sporting events around the country.
Well, this is a no-brainer, for me, anyway. I've long held the greatest song in the Rock and Roll canon is "Gimme Shelter", by the Rolling Stones, and I see no reason to disavow that singular truth, now.
I have always wrestled with this versus Sympathy as the greatest Stones song so I am glad this made the first round.
Gimme Shelter was definitely on my short list. And I think it's ahead of Sympathy. One of the best intros in rock history. The first 1:30 of this song is just perfection. So glad they added black women singing in the background. Gives the song an extra layer of awesome.
It's said that Joey Ramone mastered his fast downward picking by playing Communication Breakdown over and over again.