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07-27-2007 , 08:44 AM
Quote:
What is the best stuff you've worked on that's practically never been heard?
please read the whole thread
already asked and answered
UTFSF
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07-27-2007 , 08:50 AM
Quote:
Great thread. What do you think of Brian Deck and other Chicago area producers?
Brian worked at Idful
helped a lot of bands rock out
seemed like a good guy

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What all should a band have down and prepared before they enter the studio?
Please know your music
before you try to record
skip backing vocals
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07-27-2007 , 08:54 AM
I knew I recognized the name. God bless you for this:








This is one of the best records ever

Actually, how was she to work with
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07-27-2007 , 08:57 AM
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I was talking to the band Yourcodenameis:milo recently about their "All Roads To Fault" album that you produced and they told me that you were "very confused" by their sound!
No British band is
capable of confusing
anyone on earth

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I think they're one hell of an underrated band that continue to push boundaries.
True, a fine band of
lads but "boundaries?" My god
are you a writer?

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Also, out of the two Mono albums, which one's your favourite - "Walking Cloud" or "You Are There"? On a side note, the song "Lost Snow" is perfect.
All Mono albums
are outstanding in kind
I cannot choose one
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07-27-2007 , 09:05 AM
Quote:
Steve,

Is there any sonic advantage at all in mixing down/mastering a digital recording to tape as the last stage in the process? Here in NYC many high end mastering shops reccomend this to "warm up" the recording. Is this 100% [censored]?
It sounds different
impossible to predict
if you will prefer

mostly marketing
to distinguish otherwise
identical hacks
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07-27-2007 , 09:08 AM
Quote:
Are you a film score enthusiast at all? Any favorite film scores or composers? Have you recorded films scores and how is the process different than making a record?
I just do records
movie people are Ay-holes
film scores not my bag
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07-27-2007 , 09:13 AM
Haiku a new passion of yours?
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07-27-2007 , 09:27 AM
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Any thoughts on the last Scott Walker record, The Drift.
Overrated but
undeniable weirdo
arty Phil Collins

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I know that you've said your longest recording session has rarely gone longer than a month and that they generally go for two weeks max. How do you think you would stomach working on record for seven years?
not really work, a
masquerade of genius
through indulgent waste

See earlier post
regarding one Laughing Stock
also MBV

If you need some months
to record your album then
for sure it will suck

Quote:
(Assuming that this was, of course, not a major label attempting to score big on a record; to make it easier, assume that it was Walker and 4AD, or if more to your liking, the Jesus Lizard and Touch & Go.)
the Jesus Lizard
only took a couple days
their albums kick ass
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07-27-2007 , 09:31 AM
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Ever feel any responsibility for the current popularity of ribbons esp the coles 4038? I had never heard of coles anywhere until I read an interview with you in Mix or EQ or some other rag. Now even sweetwater caries them, and som guitar centers!
Good microphones like
the truth (pace bard Shakespeare)
will out in whispers
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07-27-2007 , 09:34 AM
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Can you remember what gear kurt Cobain used when recording In Utero, I'm particularly interested in his pedals.
Boss DS3 and
ubiquitous Big Muff Pi
also a Sans Amp

Fender Quad Reverb
broken, but one working tube
sounded pretty great
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07-27-2007 , 09:42 AM
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Steve, are you still checking this thread? How do you feel about being the catalyst of the 4th more replied to thread in BBV4L?
Some paint great pictures,
sing indescribable songs.
I type on the net.

Quote:
Also, does this exchange between my friend and I represent your view of the White Sox right now?
Perceptive, you are
and your friend. Please nobody
mention Jermaine Dye
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07-27-2007 , 09:53 AM
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1) You mentioned seeing the Detholz! perform. What are your thoughts on their live show(s) and do you think the element of "Shtick" in their shows and persona should be maintained, emphasized, or diminished?
Camp as forty tents
the Dethholz! basically Sparks
(Ron and Russel Mael)

Or maybe the Tubes
I cannot decide between
Gay camp and nerd camp

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2) If you've heard their records, in terms of songs more-so than production, do you find their recent turn toward introspection a positive direction for them? Do you find their latest, "Cast Out Devils" to be a better album than "Who are the Detholz?"? Are they growing in the best direction for them?
Luckily for them
the Dethholz! get to decide
the best direction

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3) If I understand your position on Analog vs. Digital recording, the single most important factor is the long term viability of the recorded media. Given the simple workflow advantages (although debatable) and affordability (and thus accessibility for the bands), do you think there's a possible solution to be found in a system that would make backing up to analog tape more automatic, convenient, and user friendly, allowing people to work the way most want to work but leaving them a sort of insurance policy for the future or their media?
These two paradigms
incompatibly exist
you can't combine them

the attributes of
either preclude benefits
of the other one

digital storage
is fragile sculpture
a bust carved in ice

analog is fine
like your grandmother
why give her fake boobs?
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07-27-2007 , 09:58 AM
Quote:
Haiku a new passion of yours?
trying to salvage
rapidly collapsing thread
Haiku not as lame
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07-27-2007 , 10:21 AM
how many other people went through these haikus and counted on their fingers to make sure they were right amount of syllables?
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07-27-2007 , 10:28 AM
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how many other people went through these haikus and counted on their fingers to make sure they were right amount of syllables?
*raises hand*
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07-27-2007 , 11:29 AM
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sorry about all of the questions, but also, how was working with Owls?
Who?
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07-27-2007 , 11:32 AM
Quote:
Quote:
sorry about all of the questions, but also, how was working with Owls?
Who?
I see what you did there.
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07-27-2007 , 01:09 PM
there is a band clockcleaner that I have heard bob weston say good things about, have you heard of them? any opinion at all on them? That nevermind record was ok.
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07-27-2007 , 01:41 PM
Quote:
there is a band clockcleaner that I have heard bob weston say good things about, have you heard of them? any opinion at all on them? That nevermind record was ok.
Hey Bob stop sending
loser dorks from bands to spam
this thread about me

Me me me me me
this thread ought to be about
me me only me
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07-27-2007 , 01:57 PM
Quote:
there is a band clockcleaner that I have heard bob weston say good things about, have you heard of them? any opinion at all on them? That nevermind record was ok.
Obviously, that nevermind thing was not.

I forgot another unanswered question. Was Gallons of Rubbing Alcohol(...) improvised?
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07-27-2007 , 02:02 PM
Quote:
not really work, a
masquerade of genius
through indulgent waste
Ehhh, borderline.
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07-27-2007 , 02:03 PM
Hey Hey!

Ok, subscribe to
Very modern form haiku
No seasonal word

Wanna save your thread?
Record made want to record!
TapeOpCon Story

Oh and though there is
No invitation in play
What time Tuesday nights?

Archmart
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07-27-2007 , 02:20 PM
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Ok, subscribe to
Very modern form haiku
No seasonal word
We have a critic
hidebound by a tradition
blow me all winter
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07-27-2007 , 02:25 PM
Quote:
Quote:
not really work, a
masquerade of genius
through indulgent waste
Ehhh, borderline.
dude try it sometime
distill precise abstract thoughts
maintaining this structure

It's a right bastard
prime prop bet material
I'd bury all of you
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07-27-2007 , 02:37 PM
Hey Hey!

What puts the "e" in
Josephson twenty-two "s"
Why only on all?

Archmart
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