Quote:
Originally Posted by BobboFitos
I haven't done a multi quote in a long time, and this was as good as any. As a precursor, I really appreciate both you (Nath) and you (Colin), this board has missed a lot of thoughtful interactions, and I'm glad we can come together in TV land to discuss meaningful medium of our day. I made my opinion clear - I really like the show and this season - but I'd like to go through, point by point, because you guys swayed me a bit.
I'll try to answer as best I can.
Quote:
Originally Posted by BobboFitos
The season was slow, but imo, the show itself has been majorly slow. It's definitely been guilty of *too* slow at times, but at least some stuff happened - namely, McGill's full year of *not* being a lawyer is now past us. The Gus v Salamanca was important because it was always a big wedge in BB, and IIRC, they never explained it THAT well. We now have complete backdrop.
The problems with the pacing in a nutshell: To get through Jimmy's year as not a lawyer, despite taking a full season to do so, the show still had to use a montage where they skipped forward in time ten months.
As far as Gus and the Salamancas, I thought we got all the backstory we needed in
Breaking Bad when Hector killed Gus' partner / possible lover.
Quote:
Originally Posted by BobboFitos
Yeah, they could've given us more, but the entire season was basically Kim going back and forth to the "dark side" or not, Jimmy showing he was resourceful with the cell phone stuff (and that is what is turning him onto criminal law) and even the origin of the meth lab. It was slow, but important.
My thing is, I don't really care about origin stories for logistics. I care about origin stories for characters: How did a high school chemistry teacher become the world's leading meth kingpin? How did a good-hearted but ethically slippery guy become an amoral scumbag profiting off the drug trade and defending violent criminals?
The Superlab, Gus and Mike's team-up, etc., those are stories of logistics. The characters don't change.
Re: Kim, I think this is a case where if the show didn't have an actress as good as Rhea Seehorn, the story would've fallen apart, because they rarely gave her anything to
do and basically depended on her face to carry the story. And even then they couldn't decide what they wanted her to do. She's unsatisfied with corporate law, so she goes into public defending... except then she decides she wants to scam with Jimmy some more... except then she decides after one scam to go back on the straight and narrow. Huh?
Quote:
Originally Posted by BobboFitos
I took it to mean even she has been fooled by him. Hell, I was "fooled". His monologue at the end sounded super sincere to me.
She definitely was: When she asked if he still wanted to be a lawyer and he said yes, she took it in sincerity. I also think her whole thing, starting with confronting with Jimmy about Chuck, was meant to provoke him into actually dealing with his feelings about Chuck.
Turns out he had, and he decided his career was going to be a middle finger to the respectable gatekeepers of the world like Chuck. Kim was blindsided because it was the first time he'd pulled a con she wasn't in on.
Quote:
Originally Posted by BobboFitos
I thought him committing cold murder was really out of line with his character, as was werner suddenly running away. They botched that majorly and I hope the writer with that idea has been fired.
I'm more forgiving of this part of the plot than y'all are, but I'm also left wondering how bad Gus' vetting procedures were in the first place to hire a guy who so obviously cracked under the strain of the job.
Quote:
Originally Posted by BobboFitos
Didn't want to break this up into 2 parts, so:
1. Yeah, first 3 seasons everything was connected, and it was better that way. This season, they were all doing their own thing. The writing could've tied them in a lot more - hell, mike and saul had NOTHING to do with one another.
2. good point, lol. hopefully season 5 is him being a lawyer
Yeah, like I said, it comes down to the pacing being slow, awkward, and stilted for me, and also that they just don't spend enough time on the parts of the story that I care about.
Quote:
Originally Posted by Namath12
Finally binged through the final season of Silicon Valley. Pretty meh. I can't recall the last time I watched a final season of any show while being more aware of how "done" the writers obviously were. Erlich was sorely missed (and I missed Stephen Tobolowsky but that is probably just me).
I gave up after season 4 because I'd gotten so bored with the show. Not feeling any particular reason to return after reading this. (Might be one of the great "What if?" questions about TV, if Christopher Evan Welch hadn't died.)
Aside, I'm surprised more people didn't like
Who Is America? Maybe I just love shows like
Da Ali G Show and
Nathan For You, but any episode of TV where you can say something like "Dick Cheney signed a waterboarding kit and talked about killing Iraqis with the same glint in his eye that a kid opening a new toy at Christmas has, and it was, like, the fourth-craziest thing to happen that episode" is good TV to me.