Quote:
Originally Posted by Copernicus
I wonder how many of the 70s and 80s Brit band members are domiciled outside of the UK, and particularly in the US.
And I wonder how many of those great early British bands cited non-US influences. Seems that Floyd Council and Pink Anderson didnt have cockney accents.
The musical wasteland that was the Brit 90s is quite clear from the pathetic bands you were able to pull out, compared to the very vibrant US music scene.
No doubt many sucessful bands come to the US because they have a bigger market and it may be more lucrative. That doesn't discount that many of these bands come out of their local communities.
Bands all over the world cite sources globally. But quite often a smaller area, despite their influences, create something new. For instance, Manchester England has had a thriving music scene for decades that has produced a number of notable artists and trends. The way a musician synthesizes their influences can make something new and fresh.
I don't know your tastes which I suspect is largely driving your criticism. To say those bands are pathetic ignores their worldwide success and influence.
Again, I realize calling music 'good' is largely opinion. But I have worked in music licensing, work regularly with music supervisers and musicians. I have worked with a lot of people who are very devoted music fans, musicologists and musicians. I feel confident that your opinion about the state of music in England is a minority.
Groups like My Bloody Valentine, while never a huge commercial hit in the US, is the kind of band that is cited by critics and bands due to their influence. Its like the Pixies... a lot of people don't know much about them, but many, many acts (many who had much more commercial appeal then the Pixies) will cite them as a hugely influential band.
I don't have a problem with you not liking British bands. But that doesn't mean you are knowledgeable to their success or influence.