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Originally Posted by bobman0330
If Little Richard or anyone else couldn't get their music played because they were black, then that seems like a very typical story of race discrimination, which is bad. You don't need some complicated theory of cultural ownership to explain why it's wrong for a musician to be denied opportunities on the basis of his race.
It's not wrong for Elvis to listen to black music and be inspired by it, either, nor does he owe anything in particular to the artists who inspired him, although it is generally kind of a douchebag move for any artist not to acknowledge others he's relied on.
It's more than a "typical story" of career discrimination. Black artists were not just held back, it was done while their licks were stolen and repackaged. Building record labels without the founders is a bit more than "a douchebag move."
The problem was in making money off of rock n roll without also promoting black artists. Many stations and labels specialized in this. Nothing "complicated" about it, and nobody is blaming Elvis.
History lesson: watch John Waters'
Hairspray. Rock n roll was a huge forum for civil rights struggle. Pop music has on the whole been a great integrative force, but there was still cultural ripoff going on by portions of the industry. (Note replacing "appropriation" with "ripoff" so it don't sound too complicated.)
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60 years ago???????????????????
There's an expiration date on evidence? You're whistling Dixie.
Last edited by Bill Haywood; 03-08-2016 at 03:08 PM.