Quote:
Originally Posted by 57 On Red
There are no gunshots on the Dictabelt recording. The random blips picked out by the 'analysts'...
Again with this BS disparaging top acoustical experts. The impulses on the recording were not 'random' as you idiotically assert.
You seem to have convinced yourself that if you repeat this lie often enough, you will find other noobs who will agree with you.
Quote:
...overlap with Sheriff Bill Decker saying, 'Hold everything secure until the homicide and other investigators get here,' which was about 90 seconds after the actual time of the shooting.
Since the recording was voice activated the time elapsing between recorded sections is not continuous. This and other technical issues probably explains why two world class acoustical teams were assigned to work on the tape and not some random dude on the internet.
Quote:
The transmission was on the wrong channel and cannot have originated from the motorcade.
There were two channels in operation, with much crosstalk between channels because one of the motorcycles' radio was open. So another of your assertions falls flat due to your ignorance.
Quote:
Officer McLain said he had not even turned into Dealey Plaza at the time of the shooting, which would destroy the analysts' model even if Officer McLain's motorcycle were the origin of the transmission, which it cannot have been for multiple reasons.
Since there were 13 motorcycles in Dealey Plaza at the time of the murder, these kind of quibbles are not very important since the actual gunshots recorded fit the events in Dealey Plaza.
Quote:
The spacing of the Dictabelt blips cannot be made to match the Zapruder film.
This is simply a false assertion.
Quote:
The twelve-strong panel convened by the National Academy of Sciences to review the acoustic analysis, on behalf of the Department of Justice and at the instance of the House Select Committee itself, concluded that the analysis was fatally flawed and worthless. The panel included two Nobel laureates.
Among the flaws in this finding, none of these people seems to have come up with an explanation of how 'random static' can not only match the timing of the shots in Dealey Plaza, but exhibit the acoustical fingerprint of that unique location.
This is pushing the notion of 'just a coincidence' too far.