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Disney buying LucasFilm, Releasing Star Wars episode 7 in 2015 Disney buying LucasFilm, Releasing Star Wars episode 7 in 2015

12-28-2017 , 11:47 AM
Quote:
Originally Posted by eddymitchel
TFA was average. TLJ has more high and way more low that take below average with half of it being barely watchable.
So much this. TFA may have been "just ok" on many levels, but to me it literally contained zero cringe moments, and TLJ had like...eleven. This by itself is gonna make TLJ 100% unwatchable for me, while I'm sure I'll continue to throw TFA on for a fun watch now and again over the years.

You can't just average out the good and bad parts and come up with a number to say that TLJ was better (and I pretty much disagree with jmakin on this point anyway), it doesn't work that way with movies.
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12-28-2017 , 11:59 AM
counterpoint: they freed the llama camels in TLJ
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12-28-2017 , 12:03 PM
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Originally Posted by Sugar Nut
Yeah, Starship Troopers is a masterpiece, which should obviously not be re-made. But that's 2017 Hollywood for you.
It would be fine to reverse the order and doing the impossibly perfect satire AFTER the straight telling of a proto-fascist hero story, but doing it this way....


It already got ethered, man.
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12-28-2017 , 12:10 PM
Quote:
Originally Posted by GBP04
counterpoint: they freed the llama camels in TLJ
Cinema studies majors will debate for centuries whether Rose's line about that was a joke that didn't land or a sincere radical animal rights shift in the trilogy.
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12-28-2017 , 12:18 PM
Quote:
Originally Posted by ChrisV
Gonna be interesting to see how Disney do trying to squeeze a million films out of a franchise that is basically just cowboys and indians with a sci-fi coat of paint. As the RLM guys have said a few times, it's really hard to do any other story in the universe, because the universe flat out consists of a plucky, ragtag band of rebels against an evil empire and nothing else. When they did TFA they were like hmm, OK so Luke overthrew the Emperor and the Empire is defeated, what now? ****. Um. I guess if we fastforward a bunch of years and make a new Empire and Rebellion? Like the ideas of LIGHTSABER BATTLES and THE FORCE and all that are designed for a hero's journey/monomyth storyline and don't make a lot of sense as narrative elements outside of that.
I disagree. They'd published a million books before selling to Disney and a lot of them had nothing to do with lightsabers or the Force. They can do just about anything they want. They literally have an entire galaxy to work with.
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12-28-2017 , 12:23 PM
Yeah this is obviously a very nerd take but the Thrawn books built a believably galaxy-wide conflict between the young and struggling New Republic and the scattered Imperial loyalists. It's not impossible. There's a reason there's a whole EU for Star Wars but not other settings, and it's because it's such a blank slate.
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12-28-2017 , 12:47 PM
I think there's definitely a ton that can be done with different stories and settings, but one problem is that they've hamstrung themselves with the technology/ships/etc. that just get trotted out as slightly different versions depending on the timeline. It's kind of been established that this is a galaxy full of developed civilizations that all know each other and share the same tech, and that hurts them creatively.

Compare that to Star Trek, for example, which has been very open about having crazy **** spring up anywhere that has developed independent of known civilizations, and is willing to throw in the kitchen sink scientifically (Telepathic creatures that live in the vacuum of space? Weird time loops? Sure why not), and you just have a ton more possibilities for the sci-fi part of your adventure. ST is also hit and miss, but you can get a ton more mileage out of that universe.
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12-28-2017 , 12:53 PM
Apparently Star Wars is telling me to dye my hair purple and kill myself.

http://www.starwars.com/news/quiz-wh...racter-are-you
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12-28-2017 , 01:29 PM
Lucas really ****ed things up with his 'canon' bull****.

So, all the novels material is out, now? No Thrawn movies, ever.

Thrawn only exists in books but he's a strong enough character that he's known to the fan base.

So he's dumped, and Disney makes a directionless flop the fans hate, full of pointless, boring characters.

This is a microcosm of what sucks about big-studio Hollywood.
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12-28-2017 , 01:40 PM
Thrawn is canon in the Rebels animated show now. Set several years prior to the novels, but still canon.
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12-28-2017 , 03:27 PM
Quote:
Originally Posted by eddymitchel
Maybe having an actual script instead of just a one liner idea before greenlighting a movie and giving an actual release date would help.
I know very little about it but I think the guy they hired to write a script actually wrote something very good. It was then thrown out and Disneyfied.


Quote:
Originally Posted by GBP04
counterpoint: they freed the llama camels in TLJ
loled

Quote:
Originally Posted by OneOut
Thrawn is canon in the Rebels animated show now. Set several years prior to the novels, but still canon.
This show is better than all of the new movies imo. I think there's plenty of room for more stuff in this universe.
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12-28-2017 , 03:33 PM
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Originally Posted by Bluegrassplayer
I know very little about it but I think the guy they hired to write a script actually wrote something very good. It was then thrown out and Disneyfied.




loled



This show is better than all of the new movies imo. I think there's plenty of room for more stuff in this universe.
if that s true they really need to fire that woman who is destroying the franchise.
There s an obvious huge management problem when you see how they cannot deal with their directores/actors and yet still greenlight ****.
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12-28-2017 , 03:35 PM
I should know not to make factual statements in this thread.

Anyway, Thrawn (and Mara Jade) proves that there is room for all kinds of creativity in the Lucasverse.

Will Disney allow it? Doubtful
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12-28-2017 , 05:10 PM
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Originally Posted by DVaut1
It's pretty clear this is what DisneyLucasFilm is trying to do though. If we see TLJ as a conscious shift in tone carefully plotted out by their corporate story people (as opposed to say Rian Johnson just ****ing around and wanting to do his own thing) then it seems pretty clear they are trying to move Star Wars out of its fairytale abstractions of simple Good and Evil morality plays and the saga of a small circle of important people and introduce a bunch of moral ambiguity and make you think Star Wars *is* instead a bit of core lore centered around The Force (found anywhere within anyone for good, bad, or ambiguous purposes); it's a setting and a context and a feeling (spaceships, Ben Burtt's sound design, classical scores). But not that other morality play / Hero's Journey stuff that make you love the original movies.

I agree that the direction of TLJ seems to say all that **** is a millstone and we're going in a different direction. I can appreciate the commercial/market-driven impetus that moved them there. As you say, the old tropes were necessarily going to get repetitive and box Star Wars into a small storytelling space.
Don't buy into the conspiracy theory at all here. If bolded were true, we wouldn't be seeing a Han Solo backstory movie. I think there's a general school of thought popular at the moment that subverting expectations for its own sake is clever storytelling. I think someone posted earlier that TLJ is essentially a series of "gotcha!" moments where expectations are confounded. Oh you thought Snoke/Rey's parents/Luke's lightsaber would be important? Gotcha! You thought Finn and Asian Woman's plan would work and they'd be the heroes? BOOM SUBVERTED! The moral ambiguity stuff is more of the same imo, did the Jedis REALLY bring peace and justice to the galaxy? QUESTION EVERYTHING!

I don't think Disney has a master plan, I think they're just throwing **** against the wall. I think they have a vague awareness that they need more creativity in the franchise, but little idea how to go about it.
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12-28-2017 , 05:12 PM
I haven't read the Thrawn series but, um, isn't it essentially the original characters vs a new Dark Lord? More to it than that, I know, but that's the basic plot?
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12-28-2017 , 05:20 PM
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Originally Posted by ChrisV
I haven't read the Thrawn series but, um, isn't it essentially the original characters vs a new Dark Lord? More to it than that, I know, but that's the basic plot?
Genius without any force powers outwits the OT heroes at every turn. New pivotal EU characters are introduced (including Mara Jade), who mostly no longer exist since Disney now.

I actually prefer the 10+ book Vong series. Would have liked to have seen something in that direction.
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12-28-2017 , 06:11 PM
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Originally Posted by ChrisV
But you can't do anything else, is my point. It seems like you should be able to, because Star Wars is set in a galaxy and that's a big place. But it's like saying "let's do a movie in the King Kong universe that doesn't involve a giant ape fighting stuff". The King Kong universe is constrained such that that can't be done, or it just won't be a King Kong movie anymore and all the people who love King Kong will hate it. Similarly, in Star Wars your story has to be "plucky rebels against the evil empire" and it has to have a mythic kind of tone.

The Star Wars universe is actually very small. Think about how little you could write if you had to write a Wikipedia article on the galaxy and how it operated. Compare and contrast with something like Game of Thrones. The aforementioned mythic tone makes it hard to add details; if you do, it's the "midichlorians" problem, it's a jarring shift in tone away from airy fairytale abstractions about "the Force" and Good and Evil and the Old Republic and Jedi Knights. People want that tone; that's what is so charming and captivating about the original movies. That tone is what "the Star Wars universe" is, it's not the spaceships and lasers coat of paint.
Would've been much better to have some sort of Alien dark force from the far reaches of space coming into the galaxy to challenge the New Republic + Luke/New Jedi.

Instead we get Empire 2.0 with comedy leaders and angry brat supreme leader who still smashes up things when angry, he probably still pees the bed.
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12-28-2017 , 06:13 PM
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Originally Posted by WoodsGOAT
Would've been much better to have some sort of Alien dark force from the far reaches of space coming into the galaxy to challenge the New Republic + Luke/New Jedi.

Instead we get Empire 2.0 with comedy leaders and angry brat supreme leader who still smashes up things when angry, he probably still pees the bed.
Which was exactly what the Vong storyline was.
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12-28-2017 , 06:19 PM
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Originally Posted by OneOut
Which was exactly what the Vong storyline was.
Yeah I just read your post. I read all the books as a teenager and I'm aware of the Vong storyline but I haven't read them, don't think I've read a Star Wars book in 10+ years. Some of them are really great, some I could barely finish. I remember enjoying the Rogue Squadron books, they make things work well without the main characters.

IMO Disney are paying the price for abandoning the EU, they literally have no idea what to do so we end up with Waterfront Las Vegas and dull fleet chase.
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12-28-2017 , 06:23 PM
Quote:
Originally Posted by OneOut
Genius without any force powers outwits the OT heroes at every turn. New pivotal EU characters are introduced (including Mara Jade), who mostly no longer exist since Disney now.

I actually prefer the 10+ book Vong series. Would have liked to have seen something in that direction.
That really seems like the logical progression of the story, it is still very vague as to why this First Order has been allowed to become so powerful and where the hell the Rebel/New Republic's fleets are.
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12-28-2017 , 06:23 PM
I get that by the time Disney took over the EU had grown out of control and was very convoluted. The sheer size of the Vong storyline alone is a huge commitment from the reader, not to mention what came after it and then all the comics. Still wish they would have kept some aspects of it though...or at least more than just Han & Leia's son goes bad.
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12-28-2017 , 06:28 PM
Quote:
Originally Posted by OneOut
I get that by the time Disney took over the EU had grown out of control and was very convoluted. The sheer size of the Vong storyline alone is a huge commitment from the reader, not to mention what came after it and then all the comics. Still wish they would have kept some aspects of it though...or at least more than just Han & Leia's son goes bad.
I think they could have explained it all easily, just keep it vague in the opening scroll of Ep 7

"Many challenges have come and gone since ROTJ" (better worded obv)

Then they would be free to pick and choose the best of the EU to serve as a creative base.
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12-28-2017 , 08:09 PM
Quote:
Originally Posted by ChrisV
I don't think Disney has a master plan, I think they're just throwing **** against the wall. I think they have a vague awareness that they need more creativity in the franchise, but little idea how to go about it.
TLJ was an audition for Rian Johnson to be one of the new creators. He nailed it and has been rewarded with more work. He should replace Abrams.

Quote:
Originally Posted by WoodsGOAT
IMO Disney are paying the price for abandoning the EU, they literally have no idea what to do so we end up with Waterfront Las Vegas and dull fleet chase.
It'd be really stupid to continue the EU in film/TV because those books are very heavily reliant on characters played by aging (and dead) actors.

Quote:
Originally Posted by WoodsGOAT
That really seems like the logical progression of the story, it is still very vague as to why this First Order has been allowed to become so powerful and where the hell the Rebel/New Republic's fleets are.
The New Republic did not see the First Order as a threat. If it did, it wanted to pretend it wasn't. The New Republic chancellor being named Lanever Villecham is an obvious allusion. It had also undergone a massive demilitarization and disarmament effort so that it wouldn't have a large military that could be co-opted by another Palpatine. A significant part of the New Republic fleet was in the Hosnian system when the Starkiller base was used. Leia founded the Resistance because the Senate wouldn't do anything about the First Order..
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12-28-2017 , 08:13 PM
Quote:
Originally Posted by OneOut
I get that by the time Disney took over the EU had grown out of control and was very convoluted. The sheer size of the Vong storyline alone is a huge commitment from the reader, not to mention what came after it and then all the comics. Still wish they would have kept some aspects of it though...or at least more than just Han & Leia's son goes bad.
It's not like they can't mine the EU for material. As pointed out, they used Thrawn in the cartoon. I think they've also used planets and species that first appeared in the EU.
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12-28-2017 , 08:28 PM
Watched it a second time. Many things got better. A few worse.

Poe is just an insubordinate hotheaded dumbass who both Leia and Dern are trying to coach up but he’s too stupid to get the lessons and applies them incorrectly.

Hans dice Luke brought were an illusion also

Rey still needs so much more screen time.

The Kylo going evil at the end, which kinda still wastes some amazing work sowing doubt, is more believable hearing the dialogue another time.

The whole “the resistance and future force users will be commoners” thread is more clear and even heavy handed. The little kid at the end uses the force on his Broom.

Finn still is a waste to me. Rose was really well aged.

I simply don’t get the hate for Leia saving herself from death unless it’s just the slightly weird CGI.

The humor was really good and not even that much. Other than the over the top opener it’s gotta be less than other SW films.

Still needed an editor and less forced suspension of disbelief with the super slow 18-hour space chase.

Man all they had to do to make salt planet not look like Hoth was make it warm and change some damn clothes and stormtrooper outfits and maybe some non-AtAts
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