This movie is not a 10, like how some critics are saying that it's better than Empire (WTF?), but it's also not a 1, like how some fans are saying that it's worse than Phantom Menace (WTF?).
To that end, I agree that there are plenty of storytelling and execution flaws. But some people are pointing out things that they think are logical failures or plot holes that don't make sense or contradict canon. There may be some, but for many of the things presented as evidence of such, the information explaining it is present in the movie, although perhaps not executed or explained the best.
The above is a generalization that can be applied to many other posts itt and elsewhere. With regards to Fly's post, if you are just saying that these are storytelling and execution flaws, then I agree. If you are saying that most of these present plot holes or logical failure, then I disagree.
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Originally Posted by FlyWf
I want to make clear this isn't an either/or thing, it's just a basic failure of storytelling. If the audience doesn't know the plan they can't root for success or be disheartened at failure.
The audience knows Poe's/Finn's plan. We are supposed to be rooting for its success and disheartened at its failure. Then we find out that the Resistance leadership has a better plan (that would have succeeded if not for Poe).
It's a twist that makes Poe's/Finn's plan unnecessary, and now we are supposed to root for the new plan. You can view the twist as bad storytelling, or as an unexpected spin on a conventional storyline.
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In fact, what happens is that everyone constantly fails at everything in this movie but none of it matters because nothing matters.
Right, one of the central themes of the movie is failure.
It does matter, and leads to a different ending point than most movies. The Resistance has been decimated, and only a tiny remnant escaped. The FO has obliterated them, and the Resistance has failed for now.
If nothing mattered, then despite Finn/Rose/Poe failing, the Resistance cruiser would escape, and they would all be alive and in a better position to continue Resisting. Instead, almost the opposite happened.
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That is absolutely not the case. Poe asks what the plan is and Dern gives him some gibberish about hope. He's in the ****ing military she can just tell him he's not cleared. She keeps that secret through a MUTINY directly caused by her being weird? Except a bunch of offscreen characters are in on it, when Poe "discovers" the transports are being fueled that wasn't something Dern was doing by herself.
Right, the entire new bridge was in on the plan. All of the higher ups were (which might have included Poe if he hadn't been demoted). Dern wasn't being weird, she told everyone who needed to know, and didn't tell the people who didn't need to know (and shouldn't know, as they might inadvertently let something slip, which is exactly what Poe did).
So your quibble is that she told Poe that they had hope, instead of telling him he isn't cleared so STFU? That's a good reason for him to take matters into his own hands and mutiny? That's a good reason for him to never even mention his and Finn's secret new plan, to his commanding officers?
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And the depths of her keeping secrets doesn't stop there, in another lazily backwards-written scene she surprises Leia with her decision to stay behind. This is after the whole secret **** was over.
Standard trope where she's gonna sacrifice herself for the good of the others, and Leia initially doesn't want her to, but reluctantly lets her.
Could they have written it, where Holdo stays behind and Leia nods at her sadly and knowingly? Sure, but no biggie imo. That's not the part I'm gonna take issue with, compared to the bloat of the entire Finn subplot.
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Yeah, exactly. You don't ****ing get command awarded to you in a surprise meeting. You're already in charge. The army don't hold Team Meetings to Surprise Reveal who is in charge! It's nonsense! This is what happens when you let someone who has never had a real job write the script.
That's the whole point. That type of stuff happens in some movies. It's a nod and a wink and misdirection, and then gives a grown-up answer of what would happen.
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None of that is even hinted at in the film. Finn has no plan. They wrote the meet cute backwards, man. It's ****ty, lazy filmmaking.
They make it clear that Finn can escape in them. They even have someone guarding the pods so that deserters can't go off and escape in them. You don't need Rose to say "You picked an escape pod with a working hyperdrive, that seems suspicious..." It's clear that the audience is supposed to realize that he can escape in it.
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IT WAS RIGHT ****ING THERE. They jumped close by it, and it was THERE. IN FRONT OF THEM. THEY COULD SEE IT. Like the entire ****ing chase scene made no sense once the planet was revealed, the whole thing should've been "Sir the rebels are heading for this uncharted system, do you think there's something there?" and ****. Like I said, it seems like the people writing different parts of this movie hated each other and refused to acknowledge the decisions the rest of the team made.
Fair point.
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Basic filmmaking is that if you are cutting between locations the events occurring are being shown in chronological order. If that's not the case, if there's a Memento/Dunkirk/Run Lola Run thing going on, the movie should:
A) Explain that
and
B) Have that departure from audience expectations do something. Have it for a reason. Instead of like, well, the guys writing the Rey/Luke plotline wanted it to take a week, but we already filmed the lady saying 18 hours. Eh who cares.
Fair point, and I agree that they never needed to say 18 hours, just have it be unspecified. I'm just saying that it can be explained and is not impossible, and doesn't have to change the way hyperspace travel works.