Quote:
Originally Posted by GeoffRas22
to expand on this and maybe go into a little more detail, you really do seem to have the same voice for just about everything. i went back and watched your best man speech and it was a lot of the same (as far as tone goes). i'd rewatch it and look specifically at how you time/tone your jokes and it's all very consistent. i feel like the best comedians are able to vary with tone and speed bc i feel like once you're doing longer sets it will all just feel very repetitive. you've always seemed like a super cool guy and i thought you did great so congrats , i do have two questions-
1) what is the process of writing a set like this like? do you work on jokes on an individual basis first and then try to tie them back together afterwards? i've always felt like the best comedy had context, so for example- had that girl said something about the 80% you could have still improv'd with your "she must be from NJ" and gotten a laugh bc of the NY crowd, but the earlier joke (obviously) made it that much funnier- how much of that goes into your thoughts when coming up with jokes?
2) how much of your set do you improve/mess with on the spot. like are you ever in the middle of telling a joke and notice something based on prior crowd reaction or just think of something in your head and tweak your jokes at all?
1) Every joke here was written individually. I'll look at the jokes I want to do in a set and arrange them based on how they fit thematically with each other so the transitions aren't too clunky.
I think without the earlier joke, the NJ put down would not have hit too hard. It definitely needed the context of the earlier joke. Most callbacks are planned, so if I have a good callback I'll try to put the first joke early in a set so the callback can take place near the end. You need them to be spaced apart enough or it loses some of the effect, but not too far apart where the audience forgets the initial joke.
2) In an important set like this, I try to stick exactly to what I plan to say. Crowd work or improvisation on live TV is a risky proposition. In this case, the NJ callback came to me after she made her comment and I decided that it was worth saying even though it was off the script.
If it's a normal show at a club though, I'll go off course if something pops into my head. Some of my jokes were improved based on lines that started as improv on stage.
Quote:
Originally Posted by El Diablo
Elon,
Too bad the audience didn't have many Sting fans. I thought that was hilarious with the intro to that as the punchline to the joke, but less funny having to explain that he's into tantric sex.
Edit: I also agree with the voice comments.
https://www.youtube.com/watch?v=t8k2AAMTZKo
Yeah, never enough Sting fans. And then there are some people who probably think of Sting, the WWE wrestler.
Quote:
Originally Posted by Coasterbrad
Would you be up for critiquing one of my sets? We have a similar humor from what I saw in this set so I'd love some feedback from you.
Sure, send me a PM or post it here.