Quote:
Originally Posted by bravemoney
Hello again,
1. Positions are stated after hero and villains effective stack.
2. A LAG skewed on the tighter side.
3. Straight back, serious face, chest out.
4. I raised to fold out missed broadway cards, i feel my hand will be difficult to play in later streets if broadways come. I usually raise light on dry boards like this.
1. Not sure what +2 is. UTG+2?
2. Black on the whiter side?
3. Rather meaningless without other reads to go with it.
4. Let's break this down.
a)
"I raised to fold out missed broadway cards." Why do you want to do this? You're ahead of these. Raising will fold them out yes, but that's all it will do. You manage to fold out all the hands that you beat and only get called/raised by the hands that crush you, which for a TAG is going to be almost entirely PP heavy.
b)
"i feel my hand will be difficult to play in later streets if broadways come."
Most players shut down after a cbet is called and play straight forward. A broadway turn isn't going to be the end of the world like you think. Say V has AJ and a Q hits the turn. A GOOD TAG will fire this, but MOST TAGS see it as a danger card that you might somehow have and shut down. The turn can easily check through which puts you in position to take down the pot even if he has something like TT. Yes, we like to avoid putting ourselves in unnecessarily difficult positions, but making very suboptimal plays to avoid them is not good poker. If you're afraid of overcards with 88 then just fold it.
c)
" I usually raise light on dry boards like this."
Why? What is your purpose for raising light on dry boards like this? If I know your reasoning I can critique it. If it's just something you've decided that you do, then it likely isn't going to be successful. A good player will eat you alive when you raise light on dry boards. All you accomplish is folding out air. The rest calls you or repops you and then you've bloated the pot with not much going on.