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** TWIN PEAKS: EPISODE BY EPISODE ** ** TWIN PEAKS: EPISODE BY EPISODE **

07-08-2017 , 07:28 PM
It wouldn't surprise me.

After 25 years Lynch and Frost have had more than enough time to deliberately arrange the details of the continuing story so that everything can be open to interpretation and debate.

All the while I'd like to think these deliberately arranged details--Dougie, the midget hitman, The Woodsman, winged insect lizard, et al--all have a particular significance aside from general Lynch-ian weirdness, but maybe that's asking too much.

Lastly, I thought Michael Cera was hilarious as Wally Brando.
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07-09-2017 , 02:03 AM
Quote:
Originally Posted by Dominic
I don't think I've ever seen a scarier sequence than the creepy guys stopping the couple in the car, asking for a smoke. Don't know why, but it freaked me the **** out.
Lynch really has a gift for this. Mulholland Drive and Inland Empire have some of the scariest scenes I've ever seen. And now the Woodsman in this latest episode, ****!!
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07-13-2017 , 07:40 PM
No one has anything to say about this week's episode?

I really liked the Bobby parts.
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07-13-2017 , 07:55 PM
Quote:
Originally Posted by Dominic
No one has anything to say about this week's episode?

I really liked the Bobby parts.
Feels like all the different plot parts/story lines are starting to come together. Excited for the next episode, although might not see it until Monday or Tuesday because Khaleesi.

I agree it was good to see Bobby have that moment with his mom and fellow officers. Seems to really have come a long way from being the punk he was in the original. I thought he was gonna be the "bad cop" when first reintroduced. Glad to be wrong.
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07-21-2017 , 11:21 AM
This week was meh. Really tired of Dougie and awful kid who beat his granny.
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07-21-2017 , 02:41 PM
It's moving kinda slow, but I still think it's starting to come together.
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07-21-2017 , 03:34 PM
The Dougie stuff is super annoying but I thought there were some good moments in the latest episode - seeing the photo of bad Coop in the NYC place and finding out that Diane is involved in the Bill Hastings stuff were both enlightening.

The storytelling is v fragmented though, which can frustrating at times as so many plot aspects just seem to be left to hang before being developed.
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08-18-2017 , 08:26 AM
Nobody got any thoughts on this week's ep? Thought it was great - stuff is finally coming together!
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08-21-2017 , 12:12 AM
I am loving it. Every now and again certain things get on my nerves or drag on too long (I'm lookin at you, scene with Ben Horne and Frank Truman), but that's the price you pay when you let the artists call all the shots, and it's worth it.

I'm fairly convinced now that Audrey is dreaming - or perhaps someone is dreaming OF Audrey, but I think the former is more likely. They never have any establishing shots of her and Charlie's house. She never interacts with any other characters aside from Charlie. The dialogue between her and Charlie has a dreamlike quality. The scenes remind me of Inland Empire with Laura Dern in the dingy building talking to the chubby guy with glasses who later picks up the phone. Spoilers for Inland Empire (lol not really), but...

Spoiler:
that whole movie is a dream.
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08-25-2017 , 12:50 PM
Finally caught up! Still interesting but quite frustrating, too. Loved Andy going to the White Lodge. And Big Ed and Norma finally coming together! I thought that Eight is Enough guy was going to get in the way for a second....
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08-31-2017 , 12:53 AM
Well, he snapped out of it.
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08-31-2017 , 12:44 PM
100%
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08-31-2017 , 01:05 PM
Great episode...really cool to see the Audrey Dance again...
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08-31-2017 , 02:56 PM
That was the best episode so far, but 8 is very, very close behind.

Loved the accountant with the machine gun...
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08-31-2017 , 03:06 PM
lol the accountant was so bizarre...
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08-31-2017 , 04:32 PM
The accountant was the one person in all of Twin Peaks that would act exactly how I would given the circumstances, so I really dug him.

I would definitely drive into someone partly blocking my drive, and machine gun them given half a chance.
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09-01-2017 , 06:06 PM
^ heh. When I was young and stupid I once let the tyre down on a car that was parked over my driveway "to teach them a lesson".

Turned out it was my landlord's car.

2 months later he put the house up for sale.

Just watched the latest ep. Good to have Dale back. Diane scene was nuts. As was the Richard Horne scene. Gonna be interesting to see how this all gets resolved.
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09-04-2017 , 02:04 AM
Well that was interesting...not sure what I expected, but it sure as hell wasn't that
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09-04-2017 , 04:18 PM
I was several episodes behind and caught up on all by late last night.

Was getting mildly disappointed with some stuff in the late-middle; some scenes felt like bloat, the humor didn't hit as much as it did early on (I got few to no Albert laughs after the first half unfortunately), the Cole-Albert-Preston scenes were getting kinda bad (long info dumps that seemed meaningless or not all that interesting - more on that later).

Cooper's return episode was obv great and a lot of the episode seemed to indicate all these intricately woven narrative threads beginning to coalesce. This continued with the first half of the penultimate episode, and the tension at the sheriff's department clearly shows what a phenomenal director Lynch is even when he's doing a more "traditional" suspense narrative for a few minutes (as opposed to the pure "Lynchian weirdness" he's often written off for).

I was surprised how tidily things looked to be wrapping up already with 90 minutes of screen time left to go. Cooper is out and himself, doppelCoop/BOB are defeated, most of our beloved Peaksians are safe, Norma/Hank together, etc.

At first I'm thinking "what else does Cooper need to do?" and then I remember Laura, and that bit was brilliant although the penultimate ending was unclear to me at first (I guess he almost fixed the past, but time reasserted itself?).

Then that finale. Outside of the motel gave me my first pretty bonafide Lynchian fear in quite a while.

As things looked to be headed towards a potentially clean wrap I found myself almost disappointed with that. But then, my oh my.

I did not expect in a million years for it to end the way it did. When it went black, I was grinning from ear to ear and praying that was really it. When the credits started to roll, I clapped.

Mysteries have been resolved, but we're nearly back where we started at the season 2 finale, and that's so awesome. Dale and Laura stuck somewhere strange, Audrey's fate in the balance too. "It goes on and on and on and on."

The nature of the ending also recontextualizes much of what came before. The silly Gordon Cole explanations are revealed as largely meaningless. (Supposedly there are clues about the ending in the first episode as well, including a mention of the names on the note in the motel.)

I'd certainly welcome a season 4, but I'm totally satisfied as is. The meaning is so clear; cliffhangers were resolved, new cliffhangers happened, and we should not ever expect that to change. In a way, we almost needed the new season in order to tell us that we didn't need it (if what we were after was resolution).

Quote:
Originally Posted by Dominic
For Valentines Day, my GF bought me this book:



And it's autographed by Lynch himself!

Quote:
Originally Posted by Baltimore Jones
Good book. Please tell us what the blue box and key mean!
Well?
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09-04-2017 , 05:02 PM
lol I haven't done more than skim the book, since I'm not into meditation...but I like your thoughts on the finale.

I love that some mysteries or threads were resolved, yet we fell into an even bigger rabbit hole. Cooper tries to reverse Laura's death, but doesn't realize he cannot **** with Chaos. And existence IS chaos.

The more I ruminate on it, the more I absolutely loved this season, even with all of the frustrating Dougie stuff and other meanderings. And then we had this:

atom bomb sequence Youtube won't let me post it directly.

Just astounding.
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09-04-2017 , 06:52 PM
Quote:
Originally Posted by Baltimore Jones
The nature of the ending also recontextualizes much of what came before. The silly Gordon Cole explanations are revealed as largely meaningless.
I meant this in a positive way, btw. Some of what felt like "bloat" is actually kinda "oh hey we're going to explain everything with 'lore' just like you idiots wanted and it's all gonna wrap up neatly and make 'sense'" but then "lol no jk".

(or it could actually have been bloat)
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09-04-2017 , 08:04 PM
Not sure how I feel about the end. There's a good chance I hate it, but I don't care. I loved the rest of the season.
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09-05-2017 , 01:09 AM
As I did at the end of Mulholland Drive, I laughed out loud. What else could I have expected?
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09-05-2017 , 01:50 AM
It was heartbreaking to watch Cooper go from his old, confident self to not understanding what was going on at the end, so quickly. He was lost.
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09-05-2017 , 02:23 AM
On of the reasons it really didn't work for me.
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