Quote:
Originally Posted by nab76
Sorry UthersGhost I didn't mean to come of as a d-bag, ur post just struck a nerve and i felt like I had to defend Private Ryan.
Lol... no worries, I knew I would get a reaction from someone.
Thing is, I do think SPR could have been a whole lot better.
Sure, there were good bits, but even they were tainted by the overall feel of the film, which just felt too contrived for me.
Some scenes were just laughable, like the 'if I move my hand away from the trigger that German soldier won't shoot me' scene. I mean, really? In the heart
of battle no Wermacht soldier would leave that room, confront the enemy and then pauses to see if the enemy decides not to shoot.
And that same guy, the scared one (can't remember his name), there is one scene where he is seen literally hugging his sergeant just before the fighting starts.
And don't get me started on the German P.O.W. scene!!
The lead actors always seemd well groomed, the sets looked like... well sets.
The music was mediocre at best and as good as some of the SFX were, there was at least 2 times when all you could see were mannequins.
And please, don't judge the merit of a movie by its Oscar count. If I'd known it was gonna do that well at the Oscars I might not have felt so let down when I saw it.
A generous 5/10, mostly for the opening assault scene.
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Much the same can be said for Schindlers List.
The whole thing just felt like an appeal to emotion, in a really contrived manner.
Speilberg shied away from the horrors of that time and went for the self-indulgent 'arthouse' approach instead.
Like the scene with the little girl in the red coat, that should have been a heartbreaking and disturbing scene considering what was going on around her as she made her way through hell.
But instead, all I could hear in the theatre was people whispering things like, 'look! He made her coat red' or 'how did he do that?', and you could tell that the whole theatre had stopped seeing the movie and were just seeing a special effect.
There wasn't a Nazi in sight throughout the whole film. But there were caricatures of Nazi's everywhere. At no time did I feel any menace from these people, they never felt dangerous to me, only buffoonish.
Amon Goeth should have been more like Hannibal Lector, but instead we got
Colonel Dietrich.
And as usual, everything looked too clean, too ordered. The prisoners in concentration camps lived in absolute squallor, as they did in the ghetto's before deportation. But again, no sense of this was felt throughout the film. There was just a distinct lack of reality in every scene.
5/10 ( Would have been 4/10 without Liam Neeson's performance).
So, now you know
Edit:
Last edited by UthersGhost; 06-13-2014 at 04:29 PM.
Reason: In a silly mood today.