My Struggle: Book 1, by Karl Ove Knausgaard (Farrar, Strauss & Giroux, 2012)
"As I sit here writing this, I recognize that more than thirty years have passed. In the window before me I can vaguely make out the reflection of my face. Apart from one eye, which is glistening, and the area immediately beneath, which dimly reflects a little light, the whole of the left side is in shadow. Two deep furrows divide my forehead, one deep furrow intersects each cheek, all of them as if filled with darkness, and with the eyes staring and serious, and the corners of the mouth drooping, it is impossible not to consider this face gloomy.
What has engraved itself in my face?" (25)
After hearing about how great this book was over and over I gave up and read it. And by "it" I mean merely book 1 out of 6, a puny 435 pages of thousands. To say this book has been much-discussed is an understatement, here's two good starting points.
Bookworm podcast interview:
http://www.kcrw.com/news-culture/sho...truggle-part-i
New Yorker review by James Woods:
http://www.newyorker.com/magazine/20...3/total-recall
My Thoughts on My Struggle
What's "the struggle?" Could be:
1) coming to grips with his father's terrible life and gruesome death
2) being a good father/husband
3) writing something exceptional
4) living an authentic life
5) battling death
My vote would be for (1).
The book has an interesting structure. It begins with a detached, eloquent meditation about death and moves to a scene from young Knausgaard's childhood. This scene, we learn from an older Knausgaard, is a flashback, and much of the book is about old Knausgaard making sense of his past. The book culminates in a trip to his grandparents' house in the late nineties, where his father drank himself to death, and where Karl Ove, with the help of his brother, cleans the disgusting (and I mean
disgusting) house and dwells upon family, memory, life, and, above all, death.
Death, Honesty:"A fair amount of contemporary prose seems to have been written by people who, like Tolstoy’s Ivan Ilyich, refuse to accept that they will die; there is a puerile or evasive quality in many new novels (not to mention movies), especially in America, where infinite information promises to outlive us, and dazzle down the terminality of existence. Are there serious contemporary writers who remind us of our mortality? The forty-three-year-old Norwegian novelist Karl Ove Knausgaard is certainly one" (James Woods)
Style (the book's really "readable"): "Where many contemporary writers would reflexively turn to irony, Knausgaard is intense and utterly honest, unafraid to voice universal anxieties, unafraid to appear naïve or awkward. Although his sentences are long and loose, they are not cutely or aimlessly digressive: truth is repeatedly being struck at, not chatted up" (James Woods)
Quotes I like:
"After a while I picked up the teapot and poured. Dark brown, almost like wood, the tea rose inside the white cup. A few leaves swirled and floated up, the others lay like a black mat at the bottom. I added milk, three teaspoons of sugar, stirred, waited until the leaves had settled on the bottom, and drank.
Mmm."
"Writing is drawing the essence of what we know out of the shadows. That is what writing is about. Not what happens there, not what actions are played out there, but the
there itself. There, that is writing's location and aim. But how to get there?" (192)
"But what you noticed when you saw my grandmother, what struck you first about her, was her eyes. They were light blue and crystal clear, and whether it was because of their unusual color or because it contrasted with her otherwise dark appearance, they seemed almost artificial, as if they were made of stone" (104).
"A scream rent the air.
AAAAAAAAAAAAAAAAAAAAAAAAHHHH! (217)"
the Day of Judgment (237)
"Grandma had sunk into herself again, stared down at the table. She sat bowed in the chair, shoulders slumped, rocking back and forth.
What could she be thinking?
Nothing. There was nothing inside her mind. Couldn't be. It was just cold and dark inside" (290).
"Now I saw his lifeless state. And that there was no longer any difference between what once had been my father and the table he was lying on, or the floor on which the table stood, or the wall socket beneath the window, or the cable running to the lamp beside him. For humans are merely one form among many, which the world produces over and over again, not only in everything that lives but also in everything that does not live, drawn in sand, stone, and water. And death, which I have always regarded as the greatest dimension of life, dark, compelling, was no more than a pipe that springs a leak, a branch that cracks in the wind, a jacket that slips off a clothes hanger and falls to the floor" (441).
Cliffs
Parts of
My Struggle: Book 1 I enjoyed immensely; other parts seemed tedious and seemingly pointless. Will I read the whole thing? Probably not, but I could see myself dipping into Book 2 to see how things progress.
The best story about death (and how to live) is still Tolstoy's "The Death of Ivan Ilyich."
Quote:
Originally Posted by Rehabbing Fish
+1 post ^
Happy New Year Bob!
Happy New Year Rehab!